A Quote by Ashley Montagu

Hell has been described as a pocket edition of Chicago. — © Ashley Montagu
Hell has been described as a pocket edition of Chicago.
My specialty as a collector is books that almost have value. When I love a book, I don't buy the first edition, because those have become incredibly expensive. But I might buy a beat-up copy of the second edition, third printing, which looks almost exactly the same as the first edition except that a couple of typos have been fixed.
Anybody who has been to Chicago has a very positive view. But not everybody has come to Chicago, and in many ways, Chicago is an undiscovered treasure. It punches below its weight internationally.
With New Edition it would get to the point where kids would have their New Edition posters; say like it was in a household of sisters. Each sister would have also have an individual poster of the member of New Edition that they liked. Now that's star power.
I have been a journalist, off and on, since I was 17. I was a copy boy for the 'New York Times,' when it had an edition in Paris, in 1963. I sold the paper in the streets by day and tore wire copy off the tele-printer for the editors making up the edition by night.
I don't have any great love for Chicago. What the hell, a childhood around Douglas Park isn't very memorable. I remember the street fights and how you were afraid to cross the bridge 'cause the Irish kid on the other side would beat your head in. I left Chicago a long time ago.
A handkerchief can never be put in another pocket after it has been in one pocket. I don't walk under ladders. I have items of clothing that are lucky for me. That rotates, but I am luck-oriented.
For my last birthday, Dad bought me a pocket-sized Collins English Dictionary. It would only fit in a pocket that had been specially designed.
My stepfather and his large family - The Crafts - are from Chicago, so Chicago has always been home for me.
Nothing shows both polish and utility like the nattily tucked pocket handkerchief or 'pocket square' in the breast pocket of a man's blazer, sport coat, or suit jacket.
We've got a lot of love from Chicago, you know we've been selling out big venues in Chicago that other people don't sell out. Our music is something that's a bit different you know from what's being publicized and that's going against everything else coming out in Chicago.
I want to do 'Chicago P.D.' for as long as it's on the air. I love the show; I love the Dick Wolf family. I think he's created something genius with the crossovers and having everyone on these shows inhabit the same universe as far as 'Chicago Med' and 'Chicago Fire' and 'Chicago P.D.'
I grew up in the '80s, and there was no bigger group than New Edition in R&B. I broke my piggy bank so me and my mom could go to a New Edition concert together.
The copies of The Catcher In The Rye or To Kill A Mockingbird that I own look like they were printed yesterday, and there's not a nick, not a blur, there's not any fading on the jacket at all, because they were taken and protected. A limited edition, by nature, is limited, and also probably more protected because of that. I'd rather have a first trade edition than a special one of 25 that was made years later, even if it's signed by the author. The trade edition is the Holy Grail.
No man was ever taken to hell by a woman unless he already had a ticket in his pocket.
I have been robbed of three million dollars all told. Everyone today is playing my stuff and I don't even get credit. Kansas City style, Chicago style, New Orleans style hell, they're all Jelly Roll style.
If there was ever a true emotion of a Chicago Bull, Derrick Rose embodies it. Because he is Chicago. That kid will do anything for the city of Chicago.
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