A Quote by Ashley Nell Tipton
I originally thought I would be going into wedding dresses. I wanted to create gowns, especially for weddings. I liked the idea of dealing with just one color, and within that, you could design whatever you want.
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I wanted to define the vocabulary of a wedding both visually and intellectually. The book is about more than weddings or wedding dresses. It's a metaphor for women's lives, their creativity.
My closet is organized by tops, pants, and outerwear, but not a lot of dresses. Gowns are in another room because I don't often dress formally, even though I design gowns. Like most designers, I have a uniform, and mine is a legging.
I love going to weddings. I love movie scenes of weddings. Even, like, TV-show weddings - I cry at every wedding.
When the talks about our wedding began, I had asked him, which color he would want my bridal attire to be, and he had replied, Jade'. So, I ensured that was the color of my wedding lehenga.
I'm a good dressmaker. When I was a student I made all my own clothes, and earned good money making ball gowns and wedding dresses for my friends.
It's a Japanese way of thinking, that I give value for my merchandise. So I don't want to sell unnecessarily expensive dresses and make just 10 or 20 and then feel satisfied. I want to design for real women who can afford my dresses.
When I was asked to compose a score for... 'Palo Alto,' I first thought to myself, 'What is the house that these characters would want to live in?' I wanted to paint a picture and color scheme that I could work around. I gently apply different daubs to see what fits to match the color I have in mind with these characters.
Originally a stylist took terrible dresses and did everything she could to make them wonderful. Now, you create an image. It's much more specialized.
Weddings happen once. That's the point. They're a bluster of confetti and hope all wrapped up in sticky wedding cake and four-year-old girls in big dresses with massive bows.
My original idea- and I still want to do it -for Pinko Records, would be to create a platform for other artists to do the same thing I did. They could create their own levels of donation and final goal. I have no idea how I would make any money on that -but I don't think like that.
The good thing about being gay, though, I always believed, is that you didn't make anyone go to a wedding. Nobody wants to go to a wedding. Nobody. It kind of bothers me now that you have to go to gay weddings, too. I don't care. It's still a wedding. And I would give anybody double gifts if they would elope.
Steve Jobs always believed that you didn't want to do focus groups or research and ask people what they wanted. You wanted to create products that they didn't know they wanted yet and they would fall in love with. And I think that was part of the magic of his design philosophy.
What I object to is the hyper-fetishized wedding day, the prioritizing of wedding over marriage. I have a real problem with couples spending far more time discussing the seating arrangement or the color of the bridesmaid's gowns than hashing out, for instance, their feelings about how they intend to handle questions of housework, child-rearing, finances and fidelity for the next four or five decades.
There's been a lot of wedding songs and proposals. It's cool because when they play it at weddings so, it means a lot to them. That's a big deal. They're always going to remember 'Head Over Boots' as played at their wedding.
I wanted to get paid to sharpen pencils originally just because I thought it would be fun.
I kind of got more interested in writing after I turned in my last college essay and nobody was going to tell me what kind of academic papers to write anymore. I could write whatever I wanted, and I realized that I actually liked it when I could choose what I would write.
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