A Quote by Ashley Nell Tipton
I like to design funky things, and I love to mix prints and patterns together.
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I'm hugely inspired by the '60s and the '70s. I just love the music of that time and the overall freedom of that era. I love that the idea of clashing didn't really exist. You could mix prints on prints, you could mix fabrics and colors - and it was more about the way you felt than about the label and trends. That's something that I've always gravitated towards.
I don't like to restrict my style. I believe I am a student in the world of design. I love all kinds of design elements and more than that, I love to mix them up.
I would love to design a car. And shoes, like funky Keds maybe.
I love that about college football. I love all the funky matchups. I love the Funky Cold Medina Poulan Weed Eater Bowl. I love all of that. I like the crazy games. There's obviously a market for it because them TVs love to put it on there.
I like to do interior design, I love to quilt, I love to see different colors together, and I love to match things up.
The big thing on the horizon for me is video. I feel like it's the closest thing to a perfect mix between music and design, because it has the motion and it has the dynamics of music, while at the same time having the aesthetic components of design. It's a nice mix.
My style is boho chic. I love that time period - the patterns, the prints, the people, the music, the vibe.
I'm not really a fashion designer. I just love clothes. I've never been to design school. I can't sketch. I can't cut patterns and things. I can shorten things. I can make a dress out of a scarf.
It is possible to make buildings by stringing together patterns, in a rather loose way. A building made like this, is an assembly of patterns. It is not dense. It is not profound. But it is also possible to put patterns together in such a way that many patterns overlap in the same physical space: the building is very dense; it has many meanings captured in a small space; and through this density, it becomes profound.
There are only patterns. Patterns on top of patterns, patterns that affect other patterns, patterns hidden by patterns, patterns within patterns.
I listen to, like, funky Chicago blues. I love blues, but I love the funky, happy blues. There's a song about pretty much everything, including kidney stones, believe it or not. So there's something there for whatever you happen to be suffering, you know?
There are only patterns, patterns on top of patterns, patterns that affect other patterns. Patterns hidden by patterns. Patterns within patterns. If you watch close, history does nothing but repeat itself. What we call chaos is just patterns we haven't recognized. What we call random is just patterns we can't decipher. what we can't understand we call nonsense. What we can't read we call gibberish. There is no free will. There are no variables.
Wearing a bold print gets harder as you get older. Its safer to stick to subtle prints or block colours. I have always found prints quite tricky. My daughter Carly, who is on the design team at Stella McCartney, is obsessed with them.
Wearing a bold print gets harder as you get older. It's safer to stick to subtle prints or block colours. I have always found prints quite tricky. My daughter Carly, who is on the design team at Stella McCartney, is obsessed with them.
It isn't a question of enhancement through design. Whether an editor realizes it or not, design is part of what he does every time he prints the paper.
One of the best things about humans is we recognize patterns, so we get things like science, music, philosophy. One of the worst things is that we see patterns that are not there so we get things like racism, homophobia and Jerry Falwell.
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