A Quote by Ashley Nell Tipton
It's nice to see how much the mainstream fashion community has been so accepting of it. It's very exciting to see that folks finally want to make plus-size mainstream.
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It's going to take baby steps to see a complete turnaround. But there's been such a positive outcome from seeing it at Fashion Week. Plus-size fashion shows are being more welcomed into Fashion Week, and having more plus-size women in major magazines.
The reason I do what I do is that I find that Asian community gives me an endless source of humour. When I entered the filmmaking business, my whole purpose was to promote and make us visible because we were very much on the margins. So, I wanted to make us mainstream. My work has helped to mainstream-ise the Asian community.
Oftentimes you'll see stuff that makes it into the mainstream that has been influenced by things that are clearly not from the mainstream.
What I've become good at is bringing things that aren't necessarily mainstream to the mainstream. What I did see on Twitter was a potential for mass publication; it's a mainstream consumer broadcasting device. It transforms customers and companies. You have to be transparent or you fail.
I mean, maybe I'm alternative in that my stuff's not mainstream, doesn't want to be mainstream, could never be mainstream.
As I see it, mainstream comics now speak only to the hardcore few who stayed; conversing in a weird, garbled, visual pig latin only they can understand - rendering the term 'mainstream' a hollow joke - while the true mainstream, the other 99.9% of the populace, find enjoyment elsewhere.
I'm not mainstream at all. I can make mainstream music and I make music for mainstream artists, but me, myself, I'm not mainstream.
There's always going to be a fight between mainstream and underground because the mainstream is a very small bubble, and the underground scene is a very small bubble, and they both see themselves as secret societies.
I was surprised to see how much the mainstream environmental movement hates the ELF.
I've often used the extremes in my work to comment on the mainstream. I think that sometimes a subject that I'm working on, like popular culture, is so present all around us that they're hard to see. It's like: How do you see the air you breathe? How do you see how it affects you?
Whether these were liberal publications or conservative publications, whether they were mainstream or slightly to the side of the mainstream; out of the mainstream, they all believed that they had the right to tell you how to stylize yourself. And from the New York Times to the much more left-winged nation. And The Voice said, no, whatever you want to. You drew whatever you want to, we'll publish it. Nobody was doing that. Nobody does it today. The Voice is no longer that paper, and editorializing is now in the hands of editors, with few exceptions.
There's the exciting part about comedy - if you catch an act just before they go mainstream, that's the best. After they hit the mainstream, everything gets watered down a little bit.
There's always going to be a fight between mainstream and underground because the mainstream is a very small bubble, and the underground scene is a very small bubble, and they both see themselves as secret societies. But I never saw it that way. I always thought music was open to all things.
I mean, when we did 'Families At War,' on Saturday night prime time, people said we were mainstream then. But it wasn't in the least mainstream. The fact that we got that on BBC1 at that time with those ridiculous things, that's as mainstream as we get. We do what we do and people can think that it's mainstream or avant-garde.
I was on television a couple of years ago and the reporter asked me, "How does it feel being on mainstream media? It's not often poets get on mainstream media." I said, "Well I think you're the dominant media, the dominant culture, but you're not the mainstream media. The mainstream media is still the high culture of intellectuals: writers, readers, editors, librarians, professors, artists, art critics, poets, novelists, and people who think. They are the mainstream culture, even though you may be the dominant culture."
I hope we see more avenues for representation. More TV shows and films starring queer people, especially QPOC and nonbinary folks, more mainstream press coverage of our artwork and fashion, and more representation of our interests within politics.
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