A Quote by Ashley Roberts

Yes, I have left the Pussycat Dolls. — © Ashley Roberts
Yes, I have left the Pussycat Dolls.

Quote Topics

I was performing with the Pussycat Dolls when I was approached by a company who wanted to do a workout series. I hired the creator of the Dolls, and as a team we went in and rehearsed and put together this series.
After the Pussycat Dolls, I was burnt out. So when I left them in 2010, I did take a second to say, 'Right, I've done this for seven years. Who the hell am I as an individual? Do I still want to do this?'
I'm a huge fan of the Pussycat Dolls, I always have been.
Dancing is another way to communicate. That's what separates The Pussycat Dolls from other groups.
When I was in the Pussycat Dolls, I did study jazz and pop, but Latin and ballroom were not at all in my world.
We aren't just some record to put out before the new Pussycat Dolls CD!
There's a part of me that always has the little bit of the sassy sexiness in her. That's probably why I ended up with The Pussycat Dolls in the first place.
I used to perform with the Pussycat Dolls before Nicole Scherzinger, before they were a musical group.
Yes, we started out as the Sex Maggots, then became the Goo Goo Dolls, well, and we're still the Goo Goo Dolls!
Growing up, I was very conservative in my wardrobe, so when I first joined the Pussycat Dolls, the biggest challenge was wearing those cabaret costumes. I didn't feel comfortable showing my body so much, showing my legs and butt, chest and midriff.
The few movies I can even think of that I watch over and over would be the Elizabeth Taylor/Richard Burton movie 'Boom!', 'Faster, Pussycat! Kill! Kill!', and 'Beyond the Valley of the Dolls.' I wouldn't call any of them mainstream.
Dolls fire our collective imagination, for better and - too often - for worse. From life-size dolls the same height as the little girls who carry them, to dolls whose long hair can 'grow' longer, to Barbie and her fashionable sisters, dolls do double duty as child's play and the focus of adult art and adult fear.
A child playing with dolls may shed heartfelt tears when his bundle of rags and scraps becomes deathly ill and dies ... So we may come to an understanding of language as playing with dolls: in language, scraps of sound are used to make dolls and replace all the things in the world.
My regular life today is reading books, making dolls houses, sewing dolls with my daughter and barbequing.
I saw an article where the manager of the Pussycat Dolls, which is kind of this like striptease band, girl band, said, oh well, the girls are totally third-wave feminist. This is what third-wave feminism is about. Like you don't get to use that word. You don't get to say that something is feminist as a way to sell back sexism to women, as a way to further consumerist ideas.
It just seemed fitting to have our own lounge with our own dance review that paid homage to where The Pussycat Dolls originated, ... So it wasn't just another nightclub. It was somewhere where people can go and see an old school show with real dancing and real performing and real singing. It's perfect for Vegas. It's got that whole cabaret, burlesque-inspired review of dancing, and the whole fishnets, and boas.
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