A Quote by Ashley Wagner
When I do my makeup, it kind of helps me get into the character that I'm trying to portray.
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My idea of no makeup on actors is really no makeup. I mean, they can be wearing makeup. I don't care what they're wearing as long as it looks like they're not wearing makeup. But an actress will suddenly appear with some lipstick on. And that's makeup. Keener's character wears makeup. Her character would wear makeup. I try to stay true to whoever that person is. I hate that kind of thing where you're waking up in the morning with makeup on in a movie. I just think it pulls you out of the movie.
I make a playlist for every character I portray. Music plays a huge part in helping me understand a character. Every time I get a new role, I will take a chunk of time to just sit and listen to a bunch of songs and select the ones that make sense in my mind for that character. I can't even explain how much it helps me.
When I go into 'You're the Worst,' I'm very glammed up, and my hair and makeup is va-va-voom. Now what I'm having fun with in 'Grease' is, honestly, I go to rehearsals with zero makeup. When I get pimples, I get excited about it, like 'Yay! It helps the character!' The frumpier and uglier and grosser, the better with Jan.
Actors look at life in a different way. When I meet people, I know that one day I may portray that person or someone like them. It may be a cop or a homeless guy. It helps you to pay more attention to people. Everyone I meet, I retain something from them, something from their personality. It helps me to portray realism in my work.
I feel good in makeup, and it helps create a character.
Violence is used to portray what happens in a film. It only helps portray the actors and what they do. I think it is more about the story, when you have something to play off of.
I don't know what story y'all trying to get out of me. I don't know what image y'all trying to portray of me. But it don't matter what y'all think, what y'all say about me because when I go home at night, the same people that I look in the face - my family that I love, that's all that really matter to me.
Drag for me is costume, and what I'm trying to do is, sometimes I'll go around and wear makeup in the streets, turn up to the gig, take the makeup off, do the show, and then put the makeup back on. It's the inverse of drag. It's not about artifice. It's about me just expressing myself. So when I'm campaigning in London for politics, I campaign with makeup on and the nails. It's just what I have on, like any woman.
The actor's job is to put themselves in the shoes of the character they are trying to portray as truthfully as possible.
There is nothing like being able to develop a three-dimensional character over a long period of time. Sometimes you aren't able to fully portray a character because you only have a couple of scenes to do it in, and you don't get the full life and background of that character.
Yes, I am one of those people who feels that most of my work is adaptation of one sort or another. For me, it's a way to jump-start the engine. For example, some people use the technique of basing a character on a friend. They start writing with his or her voice, then at a certain point, the character takes off on his or her own. It probably no longer resembles the model, but it helped the author to get going. I find that's true of form, too. For every play I've written, I know what play I was trying to imitate. That helps me get going.
I like writing, and I enjoy it. It's painful. You can't get around the pain of writing. I'm still trying to balance on what I think is my creative habit. It varies, but I do know that I need to continue. It helps me with my acting, and the writing helps me be invested in a different way.
I like writing and I enjoy it. It's painful. You can't get around the pain of writing. I'm still trying to balance on what I think is my creative habit. It varies, but I do know that I need to continue. It helps me with my acting, and the writing helps me be invested in a different way.
I'm not going to get into the writer's skills or what he was trying to portray because that's not fair. I can only say what I felt was trying to be portrayed there.
Even though the 'Shooter' character on TV is so close to the real-life me, I'm still playing with ways to creatively portray that character.
It's quite a layered character that I portray in 'Jalebi' and I needed to deviate and cut-off completely from the world to get into a different zone as a character. I'm really glad it proved beneficial and worked to my advantage.
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