A Quote by Ashley Wagner

I'm very much a technical person. — © Ashley Wagner
I'm very much a technical person.
It's very, very technical, what we do in film. While all of the lights are there and all of the crew members and directors are staring right at you, you have to be honest. It's a very difficult, but technical medium.
I don't like re-writing very much. The fourth and the fifth draft - that's too much like work. There's not much inspiration about it, and the lawyerly side kicks in - being very careful and somewhat technical.
I'm talking about technical goofs. I'm pretty much on top of it. The kind of picture you're referring to would have to be more about the effects of technical things, technical phenomena, and I'm just not interested in that kind of work at all.
With the premise that we look for technical co-founders to run a company, I view myself as being a coach to that technical co-founder. I can help them with their business issues, with the growth issues of taking a company from a very early stage to something much larger.
I don't see myself as necessarily a very creative person. I'm a technical guy.
Comedy has to do with holding and releasing tension; it's very technical. It's more technical than drama.
Urban transport is a political and not a technical issue. The technical aspects are very simple. The difficult decisions relate to who is going to benefit from the models adopted.
I'm a very technical player, a striker who moves around the field a lot. I'm technical, I score lots of goals, and I like to score as many goals as possible. They are my best qualities. I also header the ball very well.
The language is the hardest thing. My technical Russian is much better than my conversational Russian, and it has to be good enough to explain problems to them in their technical control center.
It was very interesting for me because DNA made music without much technical knowledge at all.
I'm a person of the arts. I love the arts very, very, very much. And ah, I'm a musician, I'm a director, I'm a writer, I'm a composer, I'm a producer, and I love the medium. I love film very, very much. I think it's the most expressive of all of the art mediums.
A very complicated mass of things influences the economy - the speculative effect, government policy, consumer borrowing and spending, the level of technical innovation (which I concede, although everyone emphasizes it too much), and much more - including, of course, the rate of inflation.
When I am directing, it is much, much, much, much, much different. I'm a much more practical person in the world, I show up on time, I am very rigorous about scheduling, and I am very focused. But when I'm writing I am just a big, irresponsible mess and I'm just impossible to get in touch with, and I don't spend time with friends.
I had hit a critical period in my life, where I changed very much as a person. I consider the person I used to be, dead, and I'm glad that he is. Insecure, frightened, confused, much like a lot of people I know today.
I've written short stories in first person, but you have so much more control writing in third person. Third person, you know what everybody's thinking. First person is very limiting, and I could never sustain a first person novel before.
I find that when one has worked long enough, technical know-how becomes almost irrelevant. In photography, it's not difficult to reach a technical level where you don't need to think about the technique any more. I think there is far too much literature and far too much emphasis upon the techniques of photography. The make of camera and type of film we happen to use has little bearing on the results.
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