A Quote by Ashley Walters
There were not a lot of roles for a black man like myself that were different. Then 'Top Boy' came. I read the script and I loved that the characters were human.
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History is a continuum, it's not these separate moments. That's how we look at it. In the 1700s in Virginia before there were police officers - there were these groups of men who would wander the countryside - and if they saw a black man or a black woman they would presume that that black man or woman was a slave. If you didn't have the kind of pass that you were supposed to have, then you could be whipped, you could be enslaved, you could be taken into custody - even if you were free. And as I'm reading this I find myself thinking, "How is this any different from stop-and-frisk?"
My models were oral, were storytellers. Like my grandmothers and my aunts. It's true, a lot of people in my life were not literate in a formal sense, but they were storytellers. So I had this experience of just watching somebody spin a tale off the top of her head. I loved that.
Then none was for a party; Than all were for the state; Then the great man helped the poor, And the poor man loved the great: Then lands were fairly portioned; Then spoils were fairly sold: The Romans were like brothers In the brave days of old.
I remembered getting the script for the auditions [of Aladdin], I had asked someone there if improvs were allowed, and he said everyone is sticking to the script. I said to myself that they are either going to love me or hate me. I was crossing out lines and throwing in my own lines. I went into the room and started doing things. They were like, "This boy is nuts! We should keep him." That's how it all came about.
The only black people you found were occasional characters or characters who were so feeble-witted that they couldn't manage anything, anyway. I wrote myself in, since I'm me and I'm here and I'm writing.
We had a moment in the '40s and '50s, where female characters were very strong in film, where these incredible roles were written for women like Joan Crawford, like Bette Davis. But then there was a space of time where - I don't know why - it wasn't like that. It became difficult for women to find certain roles after a certain age.
The truth of the matter is, there were shows that depicted black characters that were on in the '90s, and they gave everybody a glimpse into the black experience. And then they disappeared.
When 'Supernatural' came out, there were a lot of procedurals and you were either a doctor or a cop or lawyer, otherwise the show didn't stay on TV. And then we came around, and I don't want to say we were trailblazers, but we found our niche.
After getting off Bad Boy and then finally getting on with the Ruff Ryders/Interscope deal, it was like being able to exhale. The studio sessions were a lot different than the Bad Boy studio sessions. Like, we were able to just do anything we want.
You have to understand where the camera needs to me. There were times where you were suddenly aware where the cameras were, then you were in a different place and it didn't feel like the same movie.
The other thing that I got back then - the Parker novels have never had much of anything to do with race. There have been a few black characters here and there, but the first batch of books back then, I got a lot of letters from urban black guys in their 20s, 30s, 40s. What were they seeing that they were reacting to? And I think I finally figured it out - at that time, they were guys who felt very excluded from society, that they had been rejected by the greater American world.
I did roles that I hated, and there were roles that were detrimental to my acting ability. There were roles that I was always doing that were always the comic relief... it was destroying my soul.
A lot of time, I've had bosses who were women that were, like, described as battleaxes, and I loved 'em, man. We get on like houses on fire.
When I read the script [of Glee], the whole premise was that all the high school kids were being cruel to this kid in the wheelchair, and then the quarterback comes along and has a heart of gold and takes him out of a Porta Potty. That's too often what I see in media, that the characters with disabilities are there to make other people seem like heroes for treating the character with a disability with respect. Those are the kinds of roles that are out there.
You just knew you were in great hands with somebody so talented, so bright and with such depth. We both [with Ellen Page] loved the script and the book [Into the Forest], which I read after I read the script, and highlighted it and dog-eared it to craziness.
At any Trump rally, the Trump supporters were peaceful. They were enthusiastic. They loved America. They were excited. They were pro Trump. They were not bullies. They were not angry. They were not doing anything unless they were provoked.
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