A Quote by Ashley Zukerman

The first television show I did was a production called 'The Pacific,' which was this huge HBO series with an insane budget and 300 extras and a crew of 150. We were filming out in the middle of the wilderness in my hometown. I was so green. I didn't understand anything that was happening.
The ship's transporters - which let the crew 'beam' from place to place - really came out of a production need. I realized with this huge spaceship, I would blow the whole budget of the show just in landing the thing on a planet.
When we were filming the first 'Magic Mike,' we obviously had a limited budget; it was an independent film. And we would entertain extras in between takes.
The road I've taken to this point has not been easy. Being back on HBO is a big thing, but fighting on HBO in my hometown is huge. To be great you have to fight the best. Chad has beaten the best so these are the type fights I want to take. I will put on a great show for all the fans that come out to Oracle Arena.
It's very different doing a food show in America and doing one in Britain. I did a 20-part series for the BBC series called 'Eating With the Enemy.' The budget for all 20 episodes was probably the budget for a single episode of 'Top Chef.' It's the difference between making a home movie in your backyard and going to Hollywood.
I guess HBO did a giant 'War in the Pacific' mini-series that cost, like, a fortune, and there was a little moment where they literally had no money. And even though the show had become kind of a cult hit, there was an issue of whether they could actually afford to do it.
I was on a show called '12 Miles of Bad Road' with Lily Tomlin - it was an incredible HBO show. We shot 6 episodes, previewed it before the finale of 'The Sopranos;' it was written up as a 'Great New Show on HBO,' and then the whole thing was canned. Gone. Disappeared. That's when I realized anything can happen in this business.
I did my first series lead back in 1991 on a show called 'Reasonable Doubts' and have done many shows with other actors who are deaf. But 'Switched at Birth' is the first TV show where there is more than one actor who is deaf or hard of hearing and who are series regulars.
The craziest place I've probably ever visited while filming would have to be Jordan. I did a small test shoot for a test movie. We arrived in Jordan, and we stayed in Amman for a night. Then we drove down for three hours into the middle of the Wadi Rum Desert, which is in the absolute middle of nowhere. It was insane.
There was a television show called The Innocents of Hollywood. Brooke Shields is a friend of mine and she saw one of the introductions to it, and she called me and said, "I think you better check this out." And on this show they talked about parents who'd ripped off their kids. One of them said, "My mother stole $300,000 from me as a child." Well, my mother opened a bank account for me when I made $60 on my first day of work as an extra. She's that kind of mother. But god knows what people will say when this movie comes out.
I happened to fall into a job that wound up being a seminal piece of television history, which was a show I did on HBO called 'The Wire.' That experience really set the bar for me and opened a lot of doors. It also gave me a lot of street cred in terms of my phone ringing and job offers.
I was a big fan of the show 'Deadwood' on HBO, which was created by David Milch. And as soon as I heard that all of those characters on Deadwood were based on real people, the first thing I did was Google everybody.
The thing about that too is that we had the same extras everyday. It was such a community. It was like a microcosmic little town. We were like all little towns people with extras and a crew.
After having been confined to a television series - and it's a luxury job - where you can't play anything but one particular character for nine months out of the year, it will make you insane. It didn't affect me. I got out quick enough.
I was in the middle of filming Season 3 of 'Grace and Frankie.' Then the writing process for 'Mystery Science Theater 3000' was happening at the exact same time. And then the pre-production for 'Fatherless' was happening at the exact same time as well.
When we were thinking of 'Westworld' and doing it with HBO, what they really showed us is that they have the ambition in their network, and they value production value as much as we did, and that that would be a perfect place to do a show of this scope and this ambition.
The first time I played at Green Door Store in Brighton, which is under the train station. It was sold out by 150 people.
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