A Quote by Ashly Burch

There are very few games, especially on the scale of 'Horizon,' that have a sole protagonist that is female. — © Ashly Burch
There are very few games, especially on the scale of 'Horizon,' that have a sole protagonist that is female.
There was a very difficult time when a female hero was a man in a woman's body. 'Hunger Games' really changed that: a woman leading a non-woman's film in the action genre. I think 'Wonder Woman' does that on a very big scale.
I suppose 'This Little Life' and 'Brick Lane' both have things in common in that they have a female protagonist very much at the centre of the story, and they're subjectively told.
My agent called me up and said, 'There is a tremendous female lead in the new 'Star Wars' film, and I think you're really going to like it.' The opportunity to play someone determined, who's trying to find her skills as a leader; to be in a fantasy movie; to be able to do a leading female role in a film of that scale - that's very, very rare.
Scale is very, very important, like the scale of a person is very important. It's to do with the size of our space, the fact they are big sculptures, they are still human scale.
If everything you do needs to work on a three-year time horizon, then you’re competing against a lot of people, But if you’re willing to invest on a seven-year time horizon, you’re now competing against a fraction of those people, because very few companies are willing to do that. Just by lengthening the time horizon, you can engage in endeavours that you could never otherwise pursue. At Amazon we like things to work in five to seven years. We’re willing to plant seeds, let them grow—and we’re very stubborn. We say we’re stubborn on vision and flexible on details.
There are a lot of female directors in Lebanon but we can't really talk about a true film industry, it's still very small. But we do have a few female directors.
Until the 1990s, there were few reliable observations about movement at the scale of the entire universe, which is the only scale dark energy effects. So dark energy could not be seen until we could measure things very, very far away.
If I have a male protagonist, it's a studio movie, and if it's a female protagonist, it's an indie movie. That's just how it is. It's not about the studios. It's about America and who goes to see movies. Women are interested in men and women, and men aren't interested in the woman's story. They just aren't.
The drive to scale in almost every endeavor. The British went very large scale in ship building and a few other industries. Their steel plants were bigger and much more advanced than ours after the Civil War, but we had blown past them by the mid-80s.
Very, very few podcasts have made it to scale, and to me, that says this business will never be big.
There's only a few directors that can do what Emmerich does on an international scale and on an action scale.
I am a big fan of the web comic 'Strong Female Protagonist,' illustrated by Molly Ostertag.
Being a female director become as professional as your male colleagues and forget the whole question about being female. You are female anyway and it is going to work in your favor. The scope of female professional superiority can be understood by so few men that mostly they do not miss it.
I think boys don't always like to read books with female protagonist - I don't even know what to say about this.
There are really very few economies of scale in centralising or standardising advertising.
So many people have to struggle for years, very few bands get success with their first record, but I was instantly successful and famous on a very large scale, which was scary.
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