A Quote by Ashlyn Harris

We all carry extreme heartache and demons. Instead of pretending like we don't, I like to be honest and real. — © Ashlyn Harris
We all carry extreme heartache and demons. Instead of pretending like we don't, I like to be honest and real.
I just like a good, honest personality. I like a real person, not somebody who is pretending to be something that they're not. That really annoys me.
You're all Buddhas, pretending not to be. You're all the Christ, pretending not to be. You're all Atman, pretending not to be. You're all love, pretending not to be. You're all one, pretending not to be. You're all Gurus, pretending not to be. You're all God, pretending not to be. When you're ready to stop pretending, then you're ready to just be the real you. That's your home.
There's always the day where you do the effort noises, so there's a lot of grunts, huffing and puffing, pretending like you're hopping over things, pretending like you're getting hit, and pretending like you're kicking. If any of that was recorded, it's some of the silliest stuff I'll ever do, as an actor, but it's fun and liberating, in a way, 'cause no one can see me. I videotape myself doing it sometimes, to send to my friends just to remind us how ridiculous our jobs are.
We like people who are honest. Honest in argument, honest with clients, honest with suppliers, honest with the company - and above all, honest with consumers.
The reason writers are such fragile beings, Marcus, is that they suffer from two sorts of emotional pain, which is twice as much as a normal human being: the heartache of love and the heartache of books. Writing a book is like loving someone. It can be very painful.
Extremes, though contrary, have the like effects. Extreme heat kills, and so extreme cold: extreme love breeds satiety, and so extreme hatred; and too violent rigor tempts chastity, as does too much license.
I like extreme athletics, extreme meditation and extremely beautiful women. Perhaps I'm an extreme person, or it's simply my Karma. But I must tell you, as if you hadn't read about me in a newspaper or seen me on a magazine format television show, there are extreme risks involved with all three.
A liberal pretending to be a conservative? That's like a straight person pretending to be gay to get greater acceptance.
I was curious about experimenting with different colors - kind of like having an expanded orchestra. Suddenly, instead of just writing for strings, you can add bassoon and oboe and brass. I like these extreme differences in sounds right next to each other.
When we were in the design studio I always was pretending like I was in a closet asking my friend before I step out into the world what do I look like? And everybody wants that honest friend before they go and go to dinner or go to an event.
I would use sport as an escape from the pain of what was real. Instead of dealing with the pain, instead of being honest about the pain, instead of asking for help - if I had to do it differently, I would do it differently in that regard.
I feel like a lot of girl characters in anything usually end up being either extremely tough or extremely ditzy. There's always some sort of extreme personality trait that they have. I like to try writing girls that feel like normal people, like normal women that you'd meet in real life.
I'm like Twitter-famous, but in real life. Instead of your mentions, it's real people coming up to you. People shake your hand instead of liking your tweets.
I guess I get enough real life, in real life, so that's why I like things that are more extreme.
What was called extreme 20 years ago definitely isn't extreme anymore. When I started, I remember people saying, 'Oh my God, I can't walk in that!' It was like, three inches - they look like kitten heels now.
We've got a real problem with social media that we didn't know we were going to have. It's almost like the demons have gotten out of the box.
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