A Quote by Ashok Saraf

My comic timing is completely based on Pu La's literature, his style of writing and the wittiness between the lines. — © Ashok Saraf
My comic timing is completely based on Pu La's literature, his style of writing and the wittiness between the lines.
Actually Pu La was my father's friend and their friendship was very typical , as friends should be, fame did not come in between.
I have all of Pu La's books and have reread each and every one of his works, multiple times.
Pu La's writing is multi-layered, multi-faceted, and deep.
I don't think comic timing is the same as music timing, but I definitely find that I've learned from just writing in general that songs can be narrative without having a story.
I remember that Pu La had come for one of my premieres and I was patiently waiting to hear his verdict of my acting, but when he came out of the theatre during interval, all he asked me was about my father and his well being, such was their friendship.
We can only stop Cristiano Ronaldo as a team. In front of goal, he's like a machine. You can't shut him out completely; he always gets his chances in a game because of the lines he runs and his excellent timing.
Mo Willems was so helpful. I had met him a number of times, and I knew from his books how funny he was, of course, but it was really neat to be able to have his feedback. He's so great with comic timing. Working with him was like taking a master class in comic timing, because he could pinpoint right away if a section wasn't working. I remember him saying once, "No, you need a beat between this page and this page," and it was like, oh yeah, of course. I hadn't seen it, but being so good at what he does, Mo noticed it right away.
I am just a poor boy, though my story's seldom told, and I have squandered my resistance, for a pocket full of mumbles, such are promises. All lies in jest, still a man hears what he wants to hear and disregards the rest...la-la-la-la-la-la-la-lala-la-la-la-la...
Pu La was like a father figure to people of my generation. I thank him for the characters his literary works offered us. They personify full-fledged human beings and have always given me company.
I just devoured all of his [Buster Keaton’s] films because his sense of comic timing was amazing. He’s the closest a human being has ever come to a cartoon character. And I was just amazed at his sense of character and timing, the humor. It's all just so…sophisticated, even when you watch it today.
In French, there is an old expression, la patte, meaning the artist's touch, his personal style, his 'paw'. I wanted to get away from la patte and from all that retinal painting.
Now is the month of Maying, When merry lads are playing. Fa la la... Each with his bonny lass, upon the greeny grass. Fa la la... The Spring clad all in gladness, Doth laugh at winter's sadness. Fa la la.
Fighters like Bernard Hopkins can go on because their style is not based on reflexes and timing.
There are some people who were born with good timing, and I think my comic timing is pretty solid.
A film carries six fine arts - it consists of architecture, painting, music, writing or literature, photography and performance. It's a conjecture of all these things and yet based on literature.
A lot of things matter in comedy - the script, the lines, your timing, the co-actor's timing, how it's shot.
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