A Quote by Ashton Kutcher

I didn't really go the starving-artist route. I kind of went and did massive, commercial things. — © Ashton Kutcher
I didn't really go the starving-artist route. I kind of went and did massive, commercial things.
In my early days, I was about 145 pounds. I was really a starving artist; the poster child for starving artists.
I can be inspired by anything. It can be from an artist, I love Georgia O'Keefe, de Kooning, Jackson Pollock, Lichtenstein, Koons- I love them all. I can be inspired by an artist, a dream, something that I pass by, I was even inspired by a commercial! A commercial of whale war- I was so sad that people were killing whales to extinction, so I made a painting of that. So I can really be inspired by a lot of things.
One of the first jobs I did was a commercial, a local commercial on the Chinese channel here in Los Angeles, and the whole thing was in Cantonese, I think, and I didn't have any lines, but I was kind of the focus of the commercial.
Somehow, the French got this idea of the starving artist. Very romantic, except it's not so romantic for the starving artist.
The whole cast and creative team were definitely aware of the 'This is the death of Broadway!' kind of thing about 'SpongeBob,' but we've been really ready to change people's minds. I'm really proud of being part of something that took the most creative route to a commercial entity.
I definitely wasn’t cool in high school. I really wasn’t. I did belong to many of the clubs and was in leadership on yearbook and did the musical theater route, so I had friends in all areas, but I certainly did not know what to wear, did not know how to do my hair, all those things.
I definitely wasn't cool in high school. I really wasn't. I did belong to many of the clubs and was in leadership on yearbook and did the musical theater route, so I had friends in all areas. But I certainly did not know what to wear, did not know how to do my hair, all those things.
I vowed I would never do a commercial, or a soap opera - both of which I did as soon as I left the Acting Company and was starving.
It's really hard to find materials. Also, prices of metal have gone completely through the roof, insanely expensive. And if you go to a dictionary and look up starving artist, you'll see my picture.
No great artist ever sees things as they really are. If he did, he would cease to be an artist.
And so I was doing that and starving and somebody said you should model and I ran when they told me how much money you could make and I did a television commercial the first job.
I've decided something: Commercial things really do stink. As soon as it becomes commercial for a mass market it really stinks.
I'm very pro-Israel. In fact, I was the head of the Israeli Day Parade a number of years ago, I did a commercial for [Benjamin] Netanyahu when he was getting elected, he asked me to do a commercial for him, I did a commercial for him.
YouTube was really good for building a kind of core, loyal fanbase. I didn't want to be a YouTube artist as such. I mean, there are people who are able to release albums and live off YouTube, but I felt - and not in an arrogant way - that I could be commercial and credible if I really put my mind to it.
People believe you have to secure the border; whether you're doing it with a wall that keeps getting higher because of the crazy things the Mexicans say, if you go that Donald Trump route, whatever route you go, everyone agrees in our movement that you have to secure the border.
Sometimes if I'm not playing well on stage, I'll purposely play even worse; I'll tear it apart, because I'm so disgusted with what I'm playing that I'll go the wrong route: instead of trying to make it better, I'll go the other way and really make myself sound bad. Which is a kind of a strange outlook I suppose, really.
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