A Quote by Ashton Sanders

I didn't know that '12 Years a Slave' was being filmed at the same time we were making 'The Retrieval.' — © Ashton Sanders
I didn't know that '12 Years a Slave' was being filmed at the same time we were making 'The Retrieval.'
You know, our country's being ripped apart. And let me tell you, this is largely an economic issue, too. You know that workers, hard-working people, middle class people, haven't had a salary increase effectively in 12 years, all right? So for 12 years, they're making less now in many cases than they made 12 years ago.
At the Oscars, if you didn't vote for '12 Years a Slave' you were a racist.
Being a part of '12 Years a Slave' has been one of the most profound experiences of my life.
If you take something like the slave-auction sketch, the warmth of the light gives it a crisp 12 Years a Slave look. And your eye tells your brain, "I should be taking this seriously."
We're the highest taxed nation in the world. Our middle class is just reeling from the taxes. And you know, if you think about it, the middle class and the workers of this country, who really built the country, they haven't had a raise in 12 years. They're making less now actually - to be even worse about it, they're making less now than they did 12 years ago.
The set of '12 Years a Slave' was an extremely joyous one! We all recognized that we were making a powerful, necessary and beautiful film, and we weren't about doing it without that sense of responsibility, and we recognized that we needed each other to tell this story. We also knew we needed to hold each other up as we told the story.
Any standup that you see who you go, 'Oh, wow, that guy's, you know, that guy's making it.' Inevitably, they've been doing it 10, 12 years - 10, 15 years. Because it takes time.
I didn't know anything about '12 Years a Slave.' Not the book, not Solomon Northup, which I was quite shocked by, once I'd read it, that it wasn't a seminal text. I think it deserves to be.
Michael Fassbender is phenomenal in '12 Years a Slave.'
I wrote my first song at 12 and remember someone asking, 'What were you going through at 12 that you could write about?' I get what you're saying, but 11, 12, 13 were the hardest years of my life. You learn everything. You learn how horrible things feel.
It's funny: over time, if you're fortunate, you build a nice career, and you have these interesting moments, and I would not, looking back, trade any of them - 'Red Tails,' '12 Years a Slave' and 'Undercover Brother.'
The Spartans were a paradoxical people. They were the biggest slave owners in Greece. But at the same time, Spartan women had an unusual level of rights. It's a paradox that they were a bunch of people who in many ways were fascist, but they were the bulwark against the fall of democracy.
I didn't like '12 Years a Slave' because it was playing to the Spielbergian model of redemption.
In 2006, after 12 years being separated away from my family and then seven years knowing that they were dead and them thinking that we were dead, we reunited... in the most dramatic, American way possible. Live, on television.
At the Oscars, if you didn't vote for '12 Years a Slave,' you were a racist. You have to be very careful about what you say. I do have particular views and opinions that most of this town doesn't share, but it's not like I'm a fascist or a racist. There's nothing like that in my history.
The story [in 12 Years a Slave] serves as a metaphor for the fear of having your family taken away, and for being abused in such a horrific way. I lost it a lot of times watching that film, particularly when seeing the grace of the man when he finally makes it back home aged, changed, forever brutalized, and yet he apologizes to his family for his long absence. That was such a profoundly moving moment capturing the triumph of dignity over the disgraceful behavior of those involved in the slave trade.
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