A Quote by Ashton Sanders
I had high hopes for 'Moonlight,' just off the reaction I had while reading the script.
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I had a strong visceral reaction to the 'Moonlight' script, partly because I felt I knew all of these characters.
I had just come off my third consecutive failed television series. I had sworn off doing TV for a while. I was going to go to New York, sublet an apartment, and find my soul again. Before I got on the plane, my agent sent me the script for 'Psych.' I read it on the plane and realised it had a lot of potential.
One of the first lessons I learned as a mom was to forgive myself for not being perfect and to try to prioritize what was really important. I had to really accept very early on that after a while, reading a script and finding the form for the class trip, it was hard to realize which one had priority at times. So I just had to say, "You're doing the best you can, and when you make a mistake, apologize. Your kids know that you love them."
I had just taken to reading. I had just discovered the art of leaving my body to sit impassive in a crumpled up attitude in a chair or sofa, while I wandered over the hills and far away in novel company and new scenes... My world began to expand very rapidly,... the reading habit had got me securely.
Considering Adrian had once gotten bored while reading while reading a particularly long menu, I had a hard time imagining he'd read the Hugo book in any language.
I just couldn't believe that it [Into the Forest script] had fallen into my lap, because I felt so incredibly connected to my character, and I understood her, and I really...I haven't had that feeling about a script since I had read Thirteen or The Wrestler when I was just like, "No one else can do this." I just feel so passionate about it.
I got the script for 'Real Steel.' I started reading and saw that it was about robot boxing, and I was immediately turned off. It's not my thing. But I continued on, and by the time I got to the end of the script, I had chicken skin and tears in my eyes. I thought, 'Man, we don't make movies like this anymore.'
It's great to imagine and visualise while reading a novel. It doesn't always work for a film. 'Pavithra' had a good script executed badly.
[I] had very high hopes for Israel and it's lived up to and surpassed what I had in mind... I've had such an eye-opening experience - a really nice glimpse into the culture and lives of Israelis and the Jewish people.
He had high hopes for society, and though his hopes were too often dashed, he remained a raging optimist.
I was well aware of that when I heard they were remaking 'Total Recall.' My first reaction was: 'Ewww, really okay?' And the director said you should really look at it, the script is good. I had already done a remake. I had just finished 'Fright Night.' When I heard about that being remade, I had a whole ego thing... remake?. 'That is so uncool! I loved the original, I can't possibly do that.
I feel as though my career really hit its high point when I was cast as a supporting actress in 'American Wedding'. I thought the script had a lot of depth and intelligence, and it really just jumped off the page.
I feel as though my career really hit its high point when I was cast as a supporting actress in 'American Wedding'. I thought the script had a lot of depth and intelligence, and it really just jumped off the page
On Phantom... I listened to the music while I was reading the script. And it had just blown me away. I really... I was so excited about it. It's been a long time since I really got so excited about something.
After reading and studying and getting in touch with the amount of information that I had while I was researching to play Pablo, it just reinforced the idea that I had that the war on drugs is a big flop.
I wanted to make a film that wasn't just a biography. When you watched it, you actually felt that you watched a movie, that you had an emotional reaction. In order to do that, I felt that I had to really keep myself emotionally raw while working on the film. I had to feel myself crying, so the audience could be moved, too.
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