A Quote by Ashton Sanders
I do my own thing, and a lot of people don't. I just move my own way.
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I know a little about CM Punk in that he does his own thing. I'm inspired by people who do that in their own life. That they just do their own thing no matter what the consequences are.
This patriotic revolution where people want to find their own identity are not racist but want to fight for the preservation of their own people. Their own country, their own values. Their own money. Their own borders. This is such a positive thing.
Creating my own roles, as an actor, is great. You're so at the mercy of other people, and you're waiting for a job. That's just a horrible way to live, so I just decided to take matters into my own hands, find my own projects, and create them myself, and then do other stuff that people might throw my way as well.
When you achieve it fully, you create something that's transparent - that people can move into and through their own experiences. As a writer, I don't want people spending time thinking, "What does she mean?" I want, in a way, my text to go away. So that the words on the page become a door to one's own internal investigation. It's just a passage. If the work does its job, it just opens.
The thing with animation is that you record the actors like a radio show and then the animators become actors in their own way because it's their job to take this puppets and make them seem alive. They bring their own personalities to the way they move these puppets.
In terms of content, a lot of rap is crap, with all the sexism and homophobic bullshit. It's incredible how rappers are always preaching nonconformity - you know, "I'm just gonna go my own way and be my own man and blah blah blah" - but they're the first ones to do so many things that they have to do. They have to do that hip-hop thing, a certain way of walking, and it's so conformist.
So, we just kind of created our own thing and that's part of the beauty of Athens: is that it's so off the map and there's no way you could ever be the East Village or an L.A. scene or a San Francisco scene, that it just became its own thing.
Every child has a right to its own bent. . . . It has a right to find its own way and go its own way, whether that way seems wise or foolish to others, exactly as an adult has. It has a right to privacy as to its own doings and its own affairs as much as if it were its own father.
We're not obligated to watch ourselves be dissolved away simply because it's not fair that we're so big and powerful. And a lot of people think that it is. And it's not. It's not an obligation. You wouldn't let your own home be treated this way. You wouldn't let your own neighborhood be treated this way. And you don't have to let your own country, either.
My father's body lies in a stone tomb high on a hill. People walk by, pause, think their own thoughts about him and move on, back to their own lives. I can never move on. He is everywhere.
White people are so fragile, God bless 'em. 'Well, I didn't own slaves.' No you didn't. Nobody is asking you to take personal responsibility for this. But you're a beneficiary of a system that did. Just own that and move on.
That is something a lot of managers want to do - they bring their own people and do everything their own way.
For me, cultivation of my own style really started by looking at people. There are just some really beautiful people in the world. When you're walking down the street, or you're at a restaurant, someone catches your eye because they have their own look. It goes way beyond what they're wearing-into their mannerisms, the way they smile, or just the way they hold themselves.
The way I move, the way I think, the way I handle myself - it might be by accident, but it's who I am, and I've just learned to own that.
It's hard to listen to your own record or your own songs and not pass judgment in a critical way just because it's your own thing. It's weird to sit down to listen to it to enjoy it.
It feels a little silly to annotate a game in which I didn't make a single move on my own, just following my preparation all the way. [...] A pretty finale. I was obviously hoping for the beauty prize sacrificing both my rooks and all, but OK, Im [sic] afraid requirements are one makes a move of his own for that it seems. Something I could avoid doing in the last five rounds in Dresden. Silly game, this chess.
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