A Quote by Ashwin Sanghi

A book and a movie are different animals. You need a cinematic perspective to be involved in the motion pictures. And this is something I lack. — © Ashwin Sanghi
A book and a movie are different animals. You need a cinematic perspective to be involved in the motion pictures. And this is something I lack.
While the storytelling in games is getting so much better, you look at something like Grand Theft Auto V, which I thought was really beautifully written, it doesn't really need a movie because it is a movie. So I think you need a unique game - you either need an incredibly talented writer and director to come in and put together an amazing vision, or you need a game like Metal Gear, which is very cinematic, has a huge amount of history behind it, but whose cinematic experience is very different from what you'd get in a theater.
I've always approached television from a little more cinematic perspective, if not a much more cinematic perspective because of the shows I have been fortunate enough to work on.
I know a movie and a book are two different things and you are going do different media in different ways. No author can want a movie to be exactly like the book because then it will be a bad movie.
Every movie, especially when you get involved... takes something out of you. You learn something, but you give something to the movie. And after the movie, if the experience has been intense and a true experience, you're a little different afterward.
When children see animals in a circus, they learn that animals exist for our amusement. Quite apart from the cruelty involved in training and confining these animals, the whole idea that we should enjoy the humiliating spectacle of an elephant or lion made to perform circus tricks shows a lack of respect for the animals as individuals.
I need to create a whole cinematic experience. I think that's what it takes to get the audience to the theater and justify seeing [a movie] on a big screen. You have to give them a cinematic experience.
I studied a lot of animal behavior and one of the things I find really interesting is the whole idea that animals are sensory based thinkers and I wrote about this in my book, Animals in Translation. That an animal's memory is not in words, they've got to be in pictures - it's very detailed so let's say the animal gets afraid of something - they'll get afraid of something that they're looking at or hearing, the moment the bad thing happens.
In a movie, you need good actors, whereas in a book, you don't, unless you have a really bad imagination. In a book, your imagination will do the acting for you. Also, the process of revelation is often different. Tension is achieved in a different way.
Everything I've wanted to turn into a film becomes something new and different when it becomes a movie... Each time I work with an author, I say to them, 'A book and a movie are different things.'
Reversal is something that has been demonstrated in a number of different animals in a number of different ways. I think that's going to translate into larger animals and humans. We won't know until we try. But we are trying 65 different genes in different combinations to see if we can reproduce the aging reversal that we've seen in small animals.
That's why I never took this business too seriously, thinking I was something special, when I knew the truly great performers in motion pictures. pictures.
There's nothing sacred about the book you've written. The Bible says there's safety in a multitude of counselors. The movie is the movie, and the book is the book. They're different critters, and each must stand on their own merits.
Slow motion is so visually cinematic; when you create that, you create it for your audience, you let them have the feeling of what it must be like to be there. And in a movie, you can't forget the audience.
I have this awareness that the more dynamic the situation is, the more on guard I need to be that the dynamic isn't controlling the situation. I found that myself in the Galapagos. For the first time in my life I was around very exotic animals, colorful, beautiful, and immediately present, all around. Birds, turtles, iguanas, seals. I was being seduced by their exoticism, I was taking pictures.The pictures weren't well lit, there was no moment in play, there was no depth to the pictures. I was just gawking with my camera at something I'd never seen before.
So it was this multi-perspective, multi-character book, and it went through all of these different manifestations. I'm not sure there was a single moment where I thought to myself, Oh, I need to write about Margaret Cavendish. She just kept taking over the book I thought I was writing.
Every time I exercise, I do something different based on which areas need to get in motion.
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