A Quote by Asia Kate Dillon
Me feeling ambiguous about my gender identity has been a lifelong feeling, certainly.
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I think it's really difficult for folks that aren't transgender to really wrap their mind around the feeling of having a gender identity that differs from their sex assigned at birth. But for me, it felt like a constant feeling of homesickness.
What does it mean to be an American today? The question of that is always pointing at now. It allows someone to say what lens that will be through. A lot of my work has been about identity in different ways. Part of that for me falls into the question of gender identity certainly but also about what it means to be an American theater artist.
For me, having a gender identity that was different from my sex assigned at birth and that wasn't seen by society felt like a constant feeling of homesickness - that unwavering ache in the pit of my stomach.
I'm feeling really grateful. I'm feeling grateful that I've been able to participate in this game for as long as I have. I'm feeling grateful that I've been able to tell my stories. I don't know that my mom and dad are that grateful, or Carey [Hart, Pink's husband], but it's been good for me. I'm grateful if I've kept one girl from feeling different or ugly or unempowered.
The feeling of being an outsider, and the identity theme, are hardwired into me. If there's anything really autobiographical in my fiction, it's that feeling. I always feel that way.
I spent so many years not understanding my own gender identity, not having the language to talk about it, and not feeling safe in many environments to talk about it.
At that age, feeling unpopular is difficult to handle. It's a hard feeling to shake off. Feeling comfortable in my own skin has never been easy for me.
Feeling good and feeling bad are not necessarily opposites. Both at least involve feelings. Any feeling is a reminder of life. The worst 'feeling' evidently is non-feeling.
I think one of the biggest misconceptions is that only gender non-conforming, non-binary, or trans people have a gender identity. But the truth is, everyone has a gender identity.
The film is ambiguous, an ambiguity that reflects on Japan today, and a world in which nothing is clear. Once I made the film [Takeshis'], I realized it was about this feeling of vague disquiet in Japan and in the rest of the world, a feeling that is gaining on us, getting less vague.
My whole identity is not gender. My whole identity is not talking about gender. There are so many other things in my life that are fulfilling that I like to think about too.
Why would one's identity be a matter of feelings? I think that that's a misuse of terms, philosophically. Identity is mind independent. It's something that is objective, regardless of how you feel. So, the term gender identity seems to me to be something of an oxymoron. It's not really about one's identity. It's rather a matter of one's self-perception or one's feelings about oneself.
Seeing people Tweet my lyrics and really feeling for me, feeling what I'm feeling... in one of my lyrics I sing about 'the watch I just got for you,' and some girl was like, 'Yes! I bought him a watch!' I can be happy because these women feel me.
Gender is not something that one is, it is something one does, an act... a "doing" rather than a "being". There is no gender identity behind the expressions of gender; that identity is performatively constituted by the very "expressions" that are said to be its results. If the immutable character of sex is contested, perhaps this construct called 'sex' is as culturally constructed as gender; indeed, perhaps it was always already gender, with the consequence that the distinction between sex and gender turns out to be no distinction at all.
The First Splendid Truth: To be happy, I need to think about feeling good, feeling bad, and feeling right, in an atmosphere of growth.
There's a feeling about it. You feel almost like a cabinetmaker, laying planks. There's a real feeling when you know you're getting it right. It's a physical feeling.
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