A Quote by Asia Kate Dillon

I grew up poor, financially lower class. Worked in restaurants for 17 years while going to acting school and trying to become a working actor. Because I know what it's like to not have money, I turn down roles if I don't want to play them.
Out of culinary school, I worked as a pastry cook in amazing restaurants for years. I ended up leaving the pastry cook scene because, though I loved the industry, the restaurants and the chefs I worked for so much, I had to be honest with myself. I was never going to be them.
It's hard not to sell out because once, you know, I grew up with working-class parents who definitely, definitely would be disappointed if I didn't take particular jobs being like, "What are you talking about? I would have worked years for that money in like, actual physical labor." So there's a privilege to not selling out. You already have to be in a position where you can look at that money and not care about it.
I grew up sort of lower working class. And I just didn't want to have the money struggles that my parents had. You know, I could just - as loving an environment I grew up in - and I grew up in a great home, a very loving home - but, you know, we had that stress. We had that stress in our life.
In two years, I spent all my money on cars, watches, boots, discos, restaurants, and friends who, in reality, were not friends at all. For a boy like me, who grew up in a poor neighbourhood and without money, it was dangerous.
I hope I can keep acting because I love it. It's like a crazy, addictive rollercoaster... it takes you up and down, up and down, up and down but you just don't want to get off. I just want to keep challenging myself... finding new roles, trying out new things and learning.
I think I'm a very pretty girl. I'm never going to pretend to think otherwise. There are even days I feel I'm fabulously hot and sexy. I'm grateful for my looks. My family is doing well because of them. I can make career choices and turn down movies because of them and I have been making money from them for 17 years. My looks are who I am.
If you go into a bank or a shop and you want them to believe that you're going to shoot them, that's an acting exercise. If you want to turn to someone else who's as tooled up as you are and persuade them to put their knife down because you'll use your knife, that's an acting exercise. Nine out of 10 delinquents are frustrated actors.
I don't like to play the macho card, but I grew up in a working-class family and a working-class culture.
I grew up in an artistic family where everyone was doing something in one field of the arts or another. I was I think 12 years old when I did my first acting at the Actor's Studio and James Dean once said that the only reason to become and actor is because you have to. I think that you know from a young age if that is a certain rush that you're going to need to satisfy you and to make you feel fulfilled - and if you don't then you shouldn't do it. It's just too brutal of a business most of the time.
I grew up with my brother who is five years older, and so I grew up playing with him and with his friends. Most of the time, I wouldn't play because he didn't want me to play with his friends - I don't know if he was afraid that I was too good for them!
I've probably had my best time acting - or not acting, or trying to not act - on things like 'The Low Down' or 'Treacle Jr.' I'm happiest doing things like that. Not just because they're lead roles, but because there's more freedom in them.
It's hard because I seek out strong female roles. I turn down a lot of stuff, not because it's not good, but because I don't want to play certain types of characters. I don't like to just play the pretty girl.
I think people assume that because I talk the way that I talk that I grew up with money, and then I've had to say, 'No, I grew up poor.' And then I was like, 'Why do I have to play this game where the only black experience that's authentic is the one where you grew up in poverty?' I mean, it's ridiculous.
Every bad decision I've made has been based on money. I grew up in the projects and you don't turn down money there. You take it, because you never know when it's all going to end. I made Cop III because they offered me $15 million. That $15 million was worth having Roger Ebert's thumb up my ass.
I had such a horrible childhood. My father was already married with three children when I was born and my mother didn't know. So we grew up poor. We had no hot water until I was 17. I went to work in a factory, and worked and saved for months until I had the money to come to England.
You know, I grew up Black in America, I grew up close to Spanish Harlem where we ain't have much money, but we was like all friends and cool and playing and going to school together.
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