A Quote by Asia Kate Dillon
One of the best side effects about working on 'Billions' that I did not anticipate were the number of conversations I had about gender identity with my fellow actors and also members of the crew. From the person holding the boom to the person wiring my microphone, just how many conversations I had with so many open minds and hearts.
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I do think that people have a desire to talk about issues they may have wanted to avoid before. I've never had so many random conversations with people where they're so ready to talk about race, gender, sexual identity, or things that are happening in politics.
We constantly had family conversations. A lot of conversations about life. We've always been a family to where we did everything together, whether it was karate or Bible study... I just really had a chance to look and learn.
I don’t want to disappoint too many people, but the number of interesting political, historical conversations we had, you could stick in your ear, it wasn't that many. We talked about friends, family and of course girls.
I spent so many years not understanding my own gender identity and not having the language for it, and not having those conversations, that now I'm so eager to talk about it. Then I learn more about myself and other people.
[Stanley] Kubrick was a fascinating, larger than life guy who had been a friend for many years prior to our working together on that film. I found the best part of working with him to be the long conversations we had between set-ups.
I will continue to be open in my music and in interviews and keep those conversations going about the issues we face as an LGBT+ community until those conversations no longer need to be had.
We had so many milestones in America. We were on our way to universal healthcare. We had gay marriage. We were talking about gender fluidity and trans issues openly and discussing them with respect. It was almost to the point where educating people about transgender rights wasn't an issue. We were including trans people as a normal part of our conversations instead of seeing their presence as this shocking thing to the system. We forgot that those things can be taken away from you because there are people in the world that, for whatever f - king reason, can't live and let live.
Quentin [Taranino] will say, "We've got it, but we're gonna do it one more time. Why?" And then, the entire cast and crew chimes in and says, "Because we love making movies!" He is a person who celebrates this form of expression, and it is evident in his movies, his conversations, his extensive knowledge about the history of what we do, and the actors and crew that he assembles.
I've had so many conversations over the years with Phil Simms about just grinding it out and winning ugly.
As someone who is non-binary gender identifying, I feel a particular responsibility to portray members of my community on stage and on screen, not only as fully fleshed-out characters who are integral to the plot, but as characters whose gender identity is just one of many parts that make up the whole person.
Whenever I hear people crying about Kobe yelling at people in practice or wondering whether or not LeBron is best friends with his teammates, I just roll my eyes. You know how many off-court conversations I had with the Zen-Master Phil Jackson in my entire time with the Lakers? One.
Since my article in 'Women's Health' came out, I have had so many conversations with women about their own battles with cancer, and it feels so empowering to open up this dialogue and learn from each other.
There aren't too many women out there who talk about cars. So that one person who I talk the most to about cars is my husband. It constitutes about 90 per cent of our conversations.
A number of us had conversations with the Kerry campaign about what he was going to say about CAFE. What he told us was that he did not want to sacrifice jobs and that he wanted to work with the auto industry to achieve that goal.
I trained with the FBI in Portland and I also had many conversations with female FBI agents in Los Angeles, as well. That was again something that also came in very handy for Basic, because I'd learned already how to handle a gun and how to behave just physically when you're in a situation, a threat. That was very good to know.
I need to know how many records I've sold, how many album equivalents from streaming, which territories are playing my music more than others, because it helps me in conversations about where we're gonna be playing shows or where I might open a retail location, like a pop-up store or something.
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