A Quote by Asin
'Amma Nanna O Tamila Ammayi' has a very nice subject which I think could be remade into a Hindi film. It was my first film in Telugu for which I got Filmfare Award for the best actress.
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Even my first film Poda Podi' was supposed to be remade in Telugu. That was an experimental film.
I am an actress. My first film was a Telugu film, my second film was Bollywood, and third was Indo-Chinese.
I started with Tamil film, then Hindi. Now, I am also doing a Telugu film. The journey has been wonderful so far.
I couldn't be happier starting 2019 with this film 'Haathi Mere Saathi.' It's the first time that I am doing a trilingual film which I'm excited about. It will be my Tamil and Telugu debut.
The song 'Bolo Naa' from the film 'Chittagong,' which got me the National Award, wasn't even promoted in India, whereas the film won laurels all over the world.
I did a short film called 'Disco' and won an award for Best Supporting Actor at an indie film festival, and that was nice. Hopefully there's lots more to come.
In a film like 'Kannathil Muthamittal,' I can't have a Rajnikanth or a Kamal Haasan. If you have a star, the expectation of the film is different. So, you cast according to the subject of the film. Some films are best done with stars because it gives you a base on which if you can get the correct performance, you can reach higher.
I left film because I felt that photography was my art. It was something I could do on my own, whereas film was so collaborative. I thought as a photographer I could make something that was artistic and that was mine, and I liked that. And it wasn't until I got back into film and I have very small crews and I could do very tiny filmmaking that wasn't 100 people that I still felt that I was making something artistic as a filmmaker. So, you know, I'm an artist, and whether it's photography or film, I want my voice to be there and I think my voice is very strong in this film.
At the core, I am an actress. And I think, in a way, that's a good thing in that I am, I think, empathetic and sympathetic to the film. I would never pretend to have the discerning and acute critical eye that a lot of the great critics in our business do have. I don't look at it as being a critic or placing a judgment on a film, and I do think, how do you decide which film is best anyway? It's always a little bit of a mixed bag. But, I think it is just a collective group of people coming together to honor the work of an artist - that's how I think of it.
'Aiyyaa' was not the first film that I was offered in Hindi... it was the first film that I wanted to do in Hindi.
Wanted' and 'Rowdy Rathore', which I directed in Hindi, were remakes of Telugu hits. Telugu films have contributed to my growth in a big way.
Instead of saying 'unique,' I will say 'Kattappava Kaanom' is a very special and lucky film for me because I got the chance to step into Hindi film industry when I was in the shoot of this movie.
Shwetha Menon is my good friend and I have nothing against her. But, the Kerala State Award for the Best Actress has been given to her for Paleri Manickam' in which somebody else dubbed for her. I received only the second best actress award for my performance in Pazhassi Raja,' where I have dubbed in my own voice.
My very first film in Hindi - 'CID' - was with Dev Anand. I was a big fan of his. So you can imagine my excitement and nervousness at doing a film with him. On the very first day on the sets, when I called him 'Dev Saab' he turned around and said 'No no, call me Dev.'
I did New York, I Love You which is a very personal film for me. My most personal film, but it's not like a film I've ever made. I would never do that film as a feature, for instance, because it's not very commercial of an idea.
Gujarat is very close to me. I won my first best actor award for my Gujarati film 'Kadla Ni Jod.'
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