A Quote by Asin
I know that it's the southern film industries that have made me an actor, and that is where people relate to me the most. I would never give it up or separate myself from it.
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'Sarfarosh' has made people realize that I can act. This film has made me grow as an actor. There was a general impression among the people that I can only play a bad guy without any dialogues. But this film has given me a break and I have proved myself as an actor.
Hindi film and southern film industries are doing well when it comes to technical know how. By and large, they are pretty similar and are close knit industries.
Could you not give me some sign, or tell me something about you that never changes, or some other way to know you, or thing to know you by?" — "No, Curdie: that would be to keep you from knowing me. You must know me in quite another way from that. It would not be the least use to you or me either if I were to make you know me in that way. It would be but to know the sign of me — not to know me myself.
'Shaadi... ' made people see me as an actor. A lot of filmmakers called and said I was really good in the film... People from the industry - who never spoke to me, didn't think I was a great actor because they hadn't seen my work - said I can act.
When I first started out in the entertainment business, I made a list of people I thought it would be good to meet. Not people who could give me a job or a deal, but people who could shake me up, teach me something, challenge my ideas about myself and the world.
Knowing how much was sacrificed to give me the opportunity to find the thing that lights me up isn't lost on me, and it's something I know a lot of people can relate to, whether their parents arrived here in Australia recently or not.
I wanted to be a cartoonist, and then I wanted to go into film - not as an actor, but as a writer-director - and then I found myself during film school at the University of Southern California listening to the Clarence Thomas hearings in class on my Walkman, and I realized L.A. was not really for me.
When I made a breakthrough as an actor, people started to say, 'Who's that bloke with the funny name?' They advised me to change it, saying it would never be put up in lights outside theaters because they couldn't afford the electricity. But I would never contemplate changing it. It's who I am.
I would give up the unessential; I would give up my money, I would give up my life for my children; but I wouldnt give myself. I can't make it more clear; it's only something I am beginning to comprehend, which is revealing itself to me.
I did New York, I Love You which is a very personal film for me. My most personal film, but it's not like a film I've ever made. I would never do that film as a feature, for instance, because it's not very commercial of an idea.
Its cool when I meet young guys from other bands who say how much an impact Aerosmith has had on them and how much they like me.I'll give 'em that 'C'mon you don't mean that' routine, but in my heart I know where they're coming from. If I had grown up in the '70's and was into rock n' roll, I know the kind of impact Aerosmith would have had on me. I know the kind of impact that Elvis and Jagger had on me, and while I'm not comparing myself to those guys, I can relate.
If you know what it is before you even start, it's not as interesting. Central to being an actor is pretending, and the adventure of it all. That's why you become a junkie for different kinds of situations. I try to attach myself to people who really inspire me, and directors who are really passionate. That way, I can give myself more fully and trust the impulse behind why the film is being made, and I can be a little more irresponsible in finding out what the character is. I have to worry less about what the character means if I trust the director.
I've never been one for keeping a journal, so my songs were my journals. They allowed me to express my feelings and let people know what was going on with me. I knew that somebody would relate.
Yonkers made me strong and made me believe in myself, because so many people would doubt you and not believe. There are people that would believe in you, but the environment was so harsh, nobody wanted you to get out, you know?
I have never behaved like a star kid, and since a lot of people in the Tamil and Malayalam film industries know my parents, they treat me like their own child.
Kids would come up to me after concerts and give me drawings they've made of violins or, you know, landscapes with a violin floating in it or some sketch of a concert or a portrait of me.
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