A Quote by Asne Seierstad
The book came after the fall of the Taliban, it says something about Afghan family life. Those kind of stories - what happens behind the scenes on a TV screen - are important.
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Family is so central to Afghan life that all Afghan stories are family stories. Family is something I simply can't resist because all the great themes of human life - duty, grief, sacrifice, love, envy - you find all those things within families.
President Trump should appoint a special presidential envoy and empower them to wage an unconventional war against Taliban and Daesh forces, to hold the corrupt officials accountable and to negotiate with their Afghan counterparts and the Afghan Taliban that are willing to reconcile with Kabul.
I suppose also that watching marketing and publicity stuff play out from behind the scenes, making those plans and seeing each piece fall into place or not, each year, for each book, has made me a little more tranquil about the process for my own book than I might otherwise be.
I fall in love with certain stories. Those stories tend to be connected to my life some way - for instance, with my first book I was writing about the experience of coaching Little League in the Chicago inner city. But the common thread tends to be exploring some kind of mystery. Simple questions that spiral deeper.
I'd get into a room and disappear into the woodwork. Now the rooms are so crowded with reporters getting behind-the-scenes stories that nobody can get behind-the-scenes stories.
I love TV. I love being behind the scenes on a TV show but there's something about, I don't know there's something very special when you've signed an artist and that first record comes in and it's a good record. It is an indescribable feeling.
My family lives in Miami, and I always envision myself, if something happens, it'd be like 'The Day After Tomorrow' where I walk across country to find my family. That would be the kind of person I would be. I feel like I wouldn't be as scared. If it happens, it happens. You face it.
I met a woman in Albuquerque and she came and hung out with me in the trailer. It was really just more to kind of really understand my biggest concern was always the interrogation scenes. Remember, that's why I really wanted to meet somebody because you see those scenes on TV so much.
In early 1999, I was watching TV, when I came across a story on Afghanistan. It was a story about the Taliban and the restrictions they were imposing on the Afghan people, most notably women. At some point in the story, there was a casual reference to them having banned the game of kite fighting. This detail struck a personal chord with me, as I had grown up in Kabul flying kite with my friends.
I don't pick up my work at all. If it's something that's still in progress and I have the chance to make some edits on the material or think about the order, little things like that, I'll keep those stories at hand and go through them. But once it exists as the book, it's locked away in a vault, and I kind of put it behind me.
You think about D.C. as a boring stuffy place. That's kind of its image. But if you grow up in that, you see all these energetic, fun people and crazy stuff that happens behind the scenes that no one knows about.
We have African-Americans and black people getting behind the scenes more and more, we get true black images in television and film...because we have black people behind them. They can tell stories from those points of view and bring to life those characters who have yet to be shown. As long as we have people behind the camera just as much as in front of the camera doing the work, then we'll always be good.
No TV, no acting for me. I'm kind of a more behind-the-scenes kind of woman even though what I do is very public. I'm really low-key and I don't need to be the center of attention.
The behind-the-scenes kind of process at TV, especially live television - that was super scary, but I think it's made me more comfortable now. If I ever have to go on live TV, I at least remember what it was like when I was 16.
Everyone saw me on TV or read articles, and it was all about my great marriage, the white picket fence, all this success and my perfect life. But behind the scenes, it was a struggle.
The documentary feature film 'Legion of Brothers' tells the stories of the handful of U.S. Special Forces soldiers who, shortly after the 9/11 attacks, went into Taliban-controlled Afghanistan and, within a matter of weeks, overthrew the Taliban regime.
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