A Quote by Asrani

There was never a conscious dream to enter films. — © Asrani
There was never a conscious dream to enter films.

Quote Author

I was not interested in films, but I was forced to act when I was just 14 or 15 years old. Now, I feel that that was not the right age to enter films. One should at least be 21 to enter the industry.
We enter the bardo, the intermediate state after #? death , just as we enter dream after falling asleep. If our experience of #? dream lacks clarity and is of confused emotional states and habitual reactivity, we will have trained ourselves to experience the processes of death in the same way.
Coastal people never really know what the ocean symbolizes to landlocked inland people--what a great distant dream it is, present but unseen in the deepest level of subconsciousness, and when they arrive at the ocean and the conscious images are compared with the subconscious dream there is a sense of defeat at having come so far to be stopped by a mystery that can never be fathomed. The source of it all.
I've never been conscious about the kind of films or characters I should do.
I was the first person from my family to enter films. So, everything connected with films was new to me, including fans and fan clubs.
You perceive, now, that these things are all impossible except in a dream. You perceive that they are pure and puerile insanities, the silly creations of an imagination that is not conscious of its freaks - in a word, that they are a dream, and you the maker of it. The dream-marks are all present; you should have recognized them earlier.
Never did I dream that while I was feeling so self-conscious and inadequate in the '60s, I was actually creating The Judith Durham Look!
You never know how things are going to fit. So, you don't count your eggs until they hatch. You can't pre-project that. I mean, this was literally like a childhood fantasy of mine, to be able to work in action. You know, growing up on Disney films like Pocahontas and wanting to enter into that, or Aladdin and how he's fighting - being your own hero, being your own heroine is like every one's dream.
We have this recurring dream that we're human beings, that we have bodies, that we're in time and space, that there is birth and death. To awaken from the dream of life is to be conscious of eternity.
Sometimes, I shot for four films but none of them released because of various reasons. So, I started becoming conscious about the kind of films I do.
I became a documentary filmmaker because I wanted to make socially conscious films. I never studied filmmaking - everything I have learned has been on the field.
I always wanted to sing for films and I never ceased living that dream.
We didn't want to live anymore in the old logic. And I like that. The consequence of that is to create the dream of that, but we all know this dream may be not possible. So here we have the key of the ambiguity of the atmosphere of my films. Is it possible, this dream? Is it as funny as it seems, or is it tragic?
I'm not that conscious of my writing, so pacing the lyrics doesn't really enter the picture.
You always want what you can't have, and that all-American thing, from the day I was born, I could never enter that dream. That all-American white culture is something that is inherited instead of attained.
A Healing Dream can never be completely "interpreted," or fully understood. Healing Dreams want us to stop making sense; not just to crack the case, but to enter the mystery.
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