A Quote by Assata Shakur

Black Revolutionaries do not drop from the moon. We are created by our conditions. We are shaped by our oppression. We are being manufactured in droves in the ghetto streets, places like attica, san quetin, bedford hills, leavenworth, and sing sing. They are turning out thousands of us.
Black revolutionaries do not drop from the moon. We are created by our conditions. Shaped by our oppression.
I will sing in San Francisco if I have to sing in the streets, for I know that the streets of San Francisco are free.
Drugs are so easy to get in the ghetto. They might not be easy to get in nice areas like Beverly Hills, but in Long Beach and Compton and South Central they're easy to get. They don't drop those drugs off in Beverly Hills. They drop them off in the ghetto. Then they tell us it's wrong to sell them. Well, we didn't bring them here. We just sell them. I was selling, like I sold newspapers.
I don't sing white; I don't sing black - I sing Bronx. When I sing 'Ruby Baby,' I'm rolling like Jimmy Reed. I wanted to communicate like Hank Williams and groove like Jimmy Reed.
Come election time, black and white politicians put on their costumes of compassion and care, shake black hands, kiss black babies, sing 'We Shall Overcome' in black , and pray that we will ignore the reality of everyday suffering and the damage that is being done to our future in exchange for our votes.
We've noticed that even though we sing in Japanese, our fans study Japanese and sing along with us, and that people who like J-pop and people who like metal both enjoy our music just the same.
I think it's of huge importance to us as worship leaders...to ask ourselves these two questions: What were the words we put into our congregation's mouths, minds, and memories? And how well did our congregation sing? Our role is simply to be an accompaniment to them as they sing.
Our mandate is to sing for everyone. We don't just sing for one group or sing one genre... This is everybody's choir.
The blues? Why, the blues are a part of me. They're like a chant. The blues are like spirituals, almost sacred. When we sing blues, we're singing out our hearts, we're singing out our feelings. Maybe we're hurt and just can't answer back, then we sing or maybe even hum the blues. When I sing, 'I walk the floor, wring my hands and cry -- Yes, I walk the floor, wring my hands and cry,'... what I'm doing is letting my soul out.
When I sing, I go somewhere else. Every time after I sing, I'll ask, 'Did I do OK?' Because I feel like it's like my soul squeezing out of my vocal chords. I don't sit there and think about 'I'm gonna do this next...' I just sing. I sing from my heart, and my heart's got a little lonesome in it.
Some people can sing, and they can sing sing, but Brandy can not only sing sing, but she has a voice and a tone that is unlike any other.
In December ring Every day the chimes; Loud the gleemen sing In the streets their merry rhymes. Let us by the fire Ever higher Sing them till the night expire!
I think my purpose was just to get out and sing. I love to sing. I wasn't even in it for the - you know, the prize. I was, like, 'Hey, man, I'm going to sing.'
I think my purpose was just to get out and sing. I love to sing. I wasn't even in it for the - you know, the prize. I was, like, 'Hey, man, I'm going to sing.
In Middle America men are awakening. Like awkward and untrained boys we begin to turn toward maturity and with our awakening we hunger for song. But in our towns and fields there are few memory haunted places. Here we stand in roaring city streets, on steaming coal heaps, in the shadow of factories from which come only the grinding roar of machines. We do not sing but mutter in the darkness. Our lips are cracked with dust and with the heat of furnaces. We but mutter and feel our way toward the promise of song.
I sing my heart out to the wide open spaces I sing my heart out to the infinite sea I sing my vision to the sky-high mountains I sing my song to the free.
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