A Quote by Assata Shakur
A lot of contemporary American culture makes its way to this county. Cuba is not some gray, isolated backwater. This is a happening place.
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Cuba harbor fugitives of American justice. There are people living on the island of Cuba who have violated American law, including those who have stolen millions of dollars from Medicare fraud in South Florida and have fled to Cuba. Those are three reasons right there to care about what is happening on the island of Cuba, which happens to be 90 miles from our shores, basically a neighboring country.
We still have a lot of work to do in American culture. More open-mindedness is happening - in some cases rapidly, in some, slowly.
Normal relations, never. We should never forget what has happened to the people in Cuba for forty years. All baseball cares about is getting players out of Cuba. It doesn't care about the suffering, just money. The Orioles shouldn't have gone to Cuba. This is a free county, but that's the way I feel.
I'm a third-culture child. It's an interesting concept. Having an American father, a South American mother, born in England, grew up in Hong Kong, went to school in Europe - it makes me a third-culture child, which means you take on the culture of the place where you live. So I'm very adaptable.
The contemporary American novelist benefits in a way from being ignored. It makes you angrier and makes you want to go into all of those places where you shouldn't.
The contemporary American novelist benefits in a way from being ignored. It makes you angrier and makes you want to go into all of those places where you shouldnt.
A lot of my work reflects the incredible influence that America has had on contemporary African culture. Some of it's insidious, some of it's innocuous, some of it's invisible. It's there.
Cuba was fantastic, at least just in terms of... Not to romanticize or glorify it, but just seeing a place that had not really been touched by the hand of American capitalism. Because it's a genuinely different place. A lot of times when you travel, things start to feel the same from place to place to place, because the same people own everything all around the world.
For some reason, we can't go to Cuba, businesses in American can't do business in Cuba. I think that that is stupid. So I hope very much and applaud the president for his efforts in that direction and hope that in the not-too-distant future, that if I have anything to say about it as president, we will work aggressively to develop normal relations in every respect with the people of Cuba.
There is less gray area there, less doubt. There is a security in being some thing all the way. Our culture, too, encourages this way of being - exaggeration, for example, is the key to advertising success in the United States. But hyperbole also seems a big part of Iranian culture, as well.
There's not a lot of room for un-ironic emotion in contemporary culture. I think that irony is an important tool in dealing with the world as we find it. It's a tool of protection, but it can also be a tool of incision to get to some truth. But along the way maybe we've lost some of what I think of as the power of straightforward emotion and earnestness and seriousness.
I’m sure there’s some self-help cheese-ball book about the gray area, but I’ve been having this conversation with my friends who are all about the same age and I’m saying, ‘Y’know, life doesn’t happen in black and white.’ The gray area is where you become an adult the medium temperature, the gray area, the place between black and white. That’s the place where life happens.
The film culture has no room for ideas. The literary culture has some room, but not less than they should, and the academic culture has a lot, but there's no way to communicate it in a wide way.
Maybe it's naïve, but I would love to believe that once you grow to love some aspect of a culture-its music, for instance -you can never again think of the people of that culture as less than yourself. I would like to believe that if I am deeply moved by a song originating from some place other than my own homeland, then I have in some way shared an experience with the people of that culture. I have been pleasantly contaminated. I can identify in some small way with it and its people.
I like art that challenges you and makes a lot of people angry because they don't get it. Because they refuse to look at it properly. Rather than open their mind to the possibility of seeing something, they just resist. A lot of people think contemporary art makes them feel stupid. Because they are stupid. They're right. If you have contempt about contemporary art, you are stupid. You can be the most uneducated person in the world and completely appreciate contemporary art, because you see the rebellion. You see that it's trying to change things.
We do not have an American culture. We have a white American culture and a black American culture. So when those two groups try to get together, [it's] very difficult because they each feel like they have the right to their culture.
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