What we need to do is take that inchoate sense that something isn't right and give it a structural component and the sense that things can be another way.
We need all three senses of time - a sense of the future, a sense of the present, and a sense of the past - at all times to understand or experience what's happening right now. It's constantly unfolding that way.
Everything I do, I hope, is that I represent something, and I represent the right things to my children and give them the right sense of what they're capable of and the world as it should be seen.
In a sense, every human construction, whether mental or material, is a component in a landscape of fear because it exists in constant chaos. Thus children's fairy tales as well as adult's legends, cosmological myths, and indeed philosophical systems are shelters built by the mind in which human beings can rest, at least temporarily, from the siege of inchoate experience and of doubt.
I am transcribing a book that I have, in a sense, not yet written, and in another sense, have always written, and in another sense, am currently writing, and in another sense, am always writing, and in another sense, will never write.
We have to find a way of understanding how one category of sex can be "assigned" from both and another sense of sex can lead us to resist and reject that sex assignment. How do we understand that second sense of sex? It is not the same as the first - it is not an assignment that others give us. But maybe it is an assignment we give ourselves? If so, do we not need a world of others, linguistic practices, social institutions, and political imaginaries in order to move forward to claim precisely those categories we require, and to reject those that work against us?
When we say 'time', I believe we mean at least two things. We mean changes. And we mean something unchangeable. We mean something that moves . but against an unmoving background. And vice versa.Animals can sense changes. But consciousness of time involves the double sense of constancy and change. Which can only be attributed to those who give expression to it. And that can only be done through language, and only man has language.The perception of time and language are inextricably bound up with one another.
We can never know the impact a simple smile has on another. Smiling is one of the easiest things we can do. Is there a simpler, more effortless way to give everyone you meet a moment of joy, even a sense of worth?
She had...the glimmerings of a sense of humour - which is simply another name for a sense of the fitness of things.
The great city can teach something that no university by itself can altogether impart: a vivid sense of the largeness of human brotherhood, a vivid sense of man's increasing obligation to man; a vivid sense of our absolute dependence on one another.
Why you need a reason for everything? Reason is something people say to make sense of things that don't make sense.
We know there are certain chemicals that are designed to give us a rush of pleasure. But, one of the most amazing things about being human is our capacity to override that pleasure. To either say, 'I don't need that pleasure right now. I'm going to ignore the craving.' Or to find something else that we find a deeper sense of reward from.
When I look back at my paintings, they don't give me a sense of where I was when I first met that guy. They don't give me a sense of what I felt like when I first saw that original source material. They give me a sense of the world that I'm trying to create. And we all just have to deal with that.
When I'm working on something, even when I don't know exactly where it's going, I have a sense of what I'd like to make. So maybe doing things right is following that sense even when I stop trusting myself. The rightness is in the process, even if it doesn't match up with my plans.
The Republicans, in the various arguments, repeat exactly the same phrases one after another, with no sense of embarrassment, no sense of shame, no sense of intellectual integrity.
Many different factors make up a fitness phenomenon, but the most critical are a sense of community, a ton of fun, a sense of accomplishment, and an empowering component that makes people feel they can become or do anything they want.
With abstract work, I never was quite sure what it was that felt right about the painting, but I did know that I responded to it and I liked whatever it was offering me. That's something that seems to happen as well when I'm writing, where maybe things that don't necessarily make a lot of logical sense are put together, and yet we struggle to make sense of these things somehow. I'm not quite sure why that is; it's something about human nature, I guess.