A Quote by Astra Taylor

Again, it does seem like frustration is mounting in interesting ways, but I'm not sure there will be some dramatic tipping point. Then again, looking back on the history of television, you never know. People had to fight and articulate the politics and the rationale for different funding mechanisms. That was a long and drawn-out battle fought in different countries; it's not like BBC and the CBC in Canada just magically appeared out of the ether. People had to organize for it. I'm always willing to be surprised.
People often ask me when I realised that I was different. Some people seem surprised that it's a question that I cannot answer. I was never told that I was different. I was always just Sinead; I was just like my dad.
I've always thought what was I before I was this and then what will I be when I leave here. I really had a hard time always accepting that at some point I'm just going to turn to dust and ashes and never be again and that the journey would stop. I believe that we are souls, kind of like a version of what our movie presents, and we come here again and again until we arrive at our highest evolution, and what happens after that I don't know.
I move countries every three or four years. I was born in London, and we lived in Canada. Then we lived in Saudi Arabia until the Gulf War broke out, when we were forced to leave. Then we hop-scotched for a while from Holland back to Canada back to Saudi Arabia. Then there was D-day, so we had to get out again.
When I turned twenty-five, I did a six-week trip around Europe by myself. I'd never really done a European trip before and I'd definitely never traveled alone like that. I just had such a great time meeting people. I had such a great time seeing new cultures and different ways that people think and different ways that they live and different ways that they see the world.
TV is tricky. You can do some stuff and people will tune out and never tune back in. It's sort of like putting a bad taste in somebody's mouth. Some people may not ever tune in again. And then there's some people that will tune in just to tune in and see what's gon' happen.
It's really hard seeing somebody you love be in pain and be ill and there's nothing you can do. What's interesting is people act in so many different ways. You know, some people run away, some people get angry, some people fall apart. It's like everybody has a different way of dealing with stuff like that.
I think it's always interesting how music means different things to different people, and people who overthink it are looking to in some ways show off with music, versus people who just respond to a song and decide to sing it.
I say a few good things about Canada in the book, you know. Americans are weird, though. We refuse to look at other countries. Start with Canadians - I want to think you aren't that different, so why can't we do our incarceration policies more like Canada? If we still had a 1970 level of incarceration which was the same as Canada's then and now, I never would have written this.
I just had some of the same journalists that panned Electric Circus at the time, they just listened to Universal Mind Control and they loved it. And then they went back to tell me that Electric Circus, if it came out at today, it would've had a different reception. One of them told me, "Hey, man. You need to bring it out again." And I said, "Hey, it's cool. It is what it is."
I think, then, there's the sort of, like, political dimension to lyrics. One of the problems that I've had with my output as a lyric writer is that I look back at it and there's some turn-of-phrases and some images and some kind of montage-y kinds of things I'm really proud of. But it kind of bums me out that people have told me again and again that they don't really understand what I'm trying to say.
We're going to fight this battle with everything we have, and we will probably lose. But then we will fight it again, and we will lose a little less, for this battle will win us many supporters. And then we'll lose *again*. And *again*. And we will fight on. Because as hard as it is to win by fighting, it's impossible to win by doing nothing.
If you mess up the performance on stage, you do it again the next night. You're like alright, you let yourself off the hook, and you've got to go back in there. Whereas, with a film, I would go home and be like, "Well, I've ruined the arc of the character forever. That scene is never going to work. I know because I can never shoot it again." So, it's all miserable, but in different ways.
The fact is that at different stages of your life, and under the influence of different inspirations, you write different things. The point is not necessarily to find your voice, which grinds out the same sort of thing again and again, but to find a vehicle for people who are far more important than the author: the characters.
I think there are some people who have taken on fame in extraordinary ways, like Madonna, David Bowie, and Michael Jackson. There are other people who have taken it on in a completely different way, like Prince - who is just as famous and has achieved just as much - but is still unbelievably mysterious, which I guess Bowie managed to hold as well. There are different ways of dealing with it, and for some people I think it becomes an art form of how you put yourself out there, and for other people it's literally a way of life, it's who you are, you act like a celebrity.
My first book came out again - the re-issue from 2001. I was rereading it to make sure that I didn't miss any mistakes, and I didn't know who had written some of these stories. I really didn't. I am a different person now. It's weird. I think if stories are good, they have to have a life of their own that's independent of the writer. I like to think of my characters out there in other peoples' heads. That's a nice thing to think about.
Just like my career, I've sung the same songs night after night in so many ways. It's always different because every space is different. I lost my mojo once. It was like Austin Powers. I don't know why or how, but I had to get it back. And I did.
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