A Quote by Astra Taylor

New media companies look remarkably like the old ones they aspire to replace: male, pale, and privileged. — © Astra Taylor
New media companies look remarkably like the old ones they aspire to replace: male, pale, and privileged.
I'm reading the way a lot of technology executives have decried 'gatekeepers' and 'traditional media,' and that one of the promises of 'new media' was that it would break the chokehold that old media companies had on public opinion.
I've talked about how the future of journalism will be a hybrid future where traditional media players embrace the ways of new media (including transparency, interactivity, and immediacy) and new media companies adopt the best practices of old media (including fairness, accuracy, and high-impact investigative journalism).
I'm not sure when the New Media will replace the Old Media, but it will be sooner than later.
I think obviously the media need to help promote the game and make it bigger so the younger girls have women role models to look up to and try and aspire to instead of just male footballers.
Whenever there's a new form of media, we always think it's going to replace the old thing, and it never does. We still have radio, however long after TV was introduced.
New media's not very old, hence the word new, so we don't know a lot of things about new media and by the time you've taught it it's probably out of date. I think it's much more beneficial to have an experiential lesson versus a classroom lesson in new media.
One of the delights of the new age is that it's a turning of consciousness to give us permission to look beyond appearances. But there are traps that come with it. It's brave to throw off the old altars and churches and ceremonies that kept us from discovery, it's not so brave to replace them with chants and rituals and new priests who are retreads of the old.
The over-all point is that new technology will not necessarily replace old technology, but it will date it. By definition. Eventually, it will replace it. But it's like people who had black-and-white TVs when color came out. They eventually decided whether or not the new technology was worth the investment.
We Americans forget or rewrite even our recent history, and accomplishments of any group not pale and male have tended to get downplayed or erased - one reason why Gloria Steinem, Jane Fonda and I founded the Women's Media Center: to make women visible and powerful in media.
When you look at Westminster you think of it as pale, male and stale and I hate that so much.
The problem that we've had is four media companies run media, globally. And some say they're on the Right and some say they're on the Left; look, they're all afraid of losing Ford as a client. So they're all, by definition, huge companies that are going to be inherently conservative.
I believe companies like ours are going to be as large as media companies and social networking companies that are valued in the tens of billions of dollars.
If old consumers were assumed to be passive, then new consumers are active. If old consumers were predictable and stayed where you told them, then new consumers are migratory, showing a declining loyalty to networks or media. If old consumers were isolated individuals, then new consumers are more socially connected. If the work of media consumers was once silent and invisible, then new consumers are now noisy and public.
I wanted to be pale. I didn't wanna go in the sun, because I was in school with a lot of white girls. I remember one girl said to me, 'You look better pale.' And I was like, 'Well, you're tan!' She was like, 'It's not the same.'
New words can spread like wildfire thanks to social media - you only have to look at 'mansplaining' and 'milkshake duck' to see language evolution at work - so why not old ones too?
From American Idol to The Matrix participatory media - where old and new media converge by involving fans - is influencing our culture by creating new forms of interactive storytelling. Yet by enabling people to participate in such various media they can converge as a crowd to alter the story to create new modes of engagement, some not necessarily endorsed by the creator - or the brands that back them.
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