A Quote by Astrid Kirchherr

I was always introduced as the Beatles photographer and I gave it up in the end. I was so unsure of myself. Am I good or am I just the Beatles photographer? People were not interested in what I did before. I could not stand it any more.
It just annoyed me that people got so into the Beatles. "Beatles, Beatles, Beatles." It's not that I don't like talking about them. I've never stopped talking about them. It's "Beatles this, Beatles that, Beatles, Beatles, Beatles, Beatles." Then in the end, it's like "Oh, sod off with the Beatles," you know?
Our music did not sound like the Beatles in any way, shape or form. I could never find it in myself to use those Beatles tricks in Styx records because they were sacred to me. But what they did always influenced my thinking.
I've never not been sure that I was a photographer any more than you would not be sure you were yourself. I was a photographer, or wanting to be a photographer, or beginning - but some phase of photographer I've always been.
So to compare the Beatles, obviously the Beatles are the Beatles, but in hip-hop terms, Tribe is the Beatles. Grandmaster Flash and the Furious Five are the Beatles. Big Daddy Kane is Jimi Hendrix. It means that much to people that grew up with it.
I am not the Beatles. I'm me. Paul isn't the Beatles...The Beatles are the Beatles. Separately, they are separate.
If The Beatles represent the most successful version you can be of a thing, then by that definition The Rolling Stones are The Beatles of music, not counting The Beatles. John Lennon is The Beatles of The Beatles.
The Beatles have a deeper appreciation of all music. There's a humor, there's a Broadway sense, and later on, the Indian stuff came in. The Beatles were always taking in stuff and filtering stuff out to us. There's such a classical sense of arrangement, and their harmonies-what the Beatles did vocally is amazing.
I have a 14 year old daughter now. You know, it was that time in these kids lives when these girls are becoming women and the hormones are raging. They didn't know if The Beatles were any good, they just went for it 'cause The Beatles were attractive.
I was a huge Beatles fan. We could talk about who I listened to growing up and what my sources were, but certainly the Beatles were a late, important resource for me, and I just took my guitar and a handful of songs, and I decided, well, I'll just go over and travel around Europe and see what comes of it.
The pressure is always very high. I am the client, and when I am the client, I need to fight with the photographer or with the stylists or with all the people that are on the set, because I am the only one who has a very specific vision. I always have the pressure, either from myself or from the company. I am a control freak. It's part of my culture. I know that I am still working to build a Frida moment at Gucci.
I became a photographer in order to be a war photographer, and a photographer involved in what I thought were critical social issues. From the very beginning this was my goal.
The Beatles did everything long before anyone else. They weren't afraid to try things and to experiment with a lot of sounds. In 200 years, when you look up 'rock and roll' in the dictionary, it'll have a picture of the Beatles next to it.
I stand on the end platform of the tram and am completely unsure of my footing in this world, in this town, in my family. Not even casually could I indicate any claims that I might rightly advance in any direction. I have not even any defense to offer for standing on this platform, holding on to this strap, letting myself be carried along by this tram, nor for the people who give way to the tram or walk quietly along or stand gazing into shop windows. Nobody asks me to put up a defense, indeed, but that is irrelevant.
It's nearly redundant to enumerate the reasons The Beatles are important. There are probably different reasons why The Beatles are important to a musician like myself and to the millions of Beatles fans who just enjoy listening to the music.
If the photographer is interested in the people in front of his lens, and if he is compassionate, it's already a lot. The instrument is not the camera but the photographer.
Don't you think that the Beatles gave every sodden thing they've got to be the Beatles? That took a whole section of our youth - that whole period - when everybody else was just goofin' off we were workin' 24 hours a day!
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