A Quote by Astro Teller

Ultimately, a timeless story has to be about the human condition. — © Astro Teller
Ultimately, a timeless story has to be about the human condition.
I don't know about timeless. I actually think most of what I do is completely modern, but universally modern. Who decides what timeless even means? Are the things that we consider timeless now going to, in fact, be considered timeless in 300 years? Probably not.
Madame Bovary is timeless. It is not just about the female condition in France in the 1840s. It's not a simple cautionary tale. Emma is more than a character; she gives us an insight into human nature. With Emma, we are diving into the complexities of Flaubert's psyche.
I think that if there's one key insight science can bring to fiction, it's that fiction - the study of the human condition - needs to broaden its definition of the human condition. Because the human condition isn't immutable and doomed to remain uniform forever.
The basic quality that any great story must have is a story that illustrates the human condition.
Experimental novels are sometimes terribly clever and very seldom read. But the story that appeals to the child sitting on your knee is the one that satisfies the curiosity we all have about what happened then, and then, and then. This is the final restriction put on the technique of telling a story. A basic thing called story is built into the human condition. It's what we are; it's something to which we react.
The human condition comprehends more than the condition under which life has been given to man. Men are conditioned beings because everything they come in contact with turns immediately into a condition of their existence. The world in which the vita activa spends itself consists of things produced by human activities; but the things that owe their existence exclusively to men nevertheless constantly condition their human makers.
The writers are writing human beings, and they're writing about the human condition and how difficult it is to function in that condition. I think it's one of the charms of the show, the idea of redemption and working towards becoming better people, for everybody involved.
The thing about Pixar, they don't do the 'trend is your friend.' They're really about timeless story telling, and that's pretty great.
It's all about human condition, ultimately. That's what you're looking at. You're also looking to have some fun, as well, because that also translates. Maybe wearing tights once in awhile helped. Getting up on a horse a couple of times before might have helped.
The business of fiction is the study of the human condition, and gender is something that many humans are obsessed with, thus making it rather difficult to ignore when studying the human condition!
There cannot be any 'story' without a fall - all stories are ultimately about the fall - at least not for human minds as we know them and have them.
'Free Bird' is timeless, 'Sweet Home' is timeless. They're just timeless songs.
When somebody tells you a story, as long as that story lasts, you're caught in this sort of timeless moment.
The real debate about both the horrific inequality in the world and about the terrorism and frightening instability in the world requires analysis of the differences in upset-adaption or alienation-from-soul between individuals, races, genders, generations, countries, civilisations and cultures, but until the human condition could be explained and the upset state of the human condition compassionately understood and thus defended that debate could not take place.
The human condition is the human condition, and what we try to do is illuminate the human condition.
Despite what everyone thinks about science fiction, ultimately, at its best, it's about human beings with human emotions.
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