A Quote by Atal Bihari Vajpayee

During the 1942 Quit India Movement, I was a student at Gwalior High School. I was arrested by the British for participating in the movement. My parents then sent me off to my village where, again, I jumped into the movement.
In less than a century we experienced great movement. The youth movement! The labor movement! The civil rights movement! The peace movement! The solidarity movement! The women's movement! The disability movement! The disarmament movement! The gay rights movement! The environmental movement! Movement! Transformation! Is there any reason to believe we are done?
I go to places and I see all these people working on peace education and on a culture of nonviolence and non-killing. You look at all these different movements going on: the environment movement, the interfaith movement, the human rights movement, the youth movement, and the arts movement.
Feminism is a revolutionary movement which is different from the class struggle movement, the proletarian movement, but which is a movement which must be leftist. By that I mean at the extreme left, a movement working to overthrow the whole society.
And then there is that one-man movement, Marcel Duchamp for me a truly modern movement because it implies that each artist can do what he thinks he ought to a movement for each person and open for everybody.
My elections are really not about campaigns. I tell my people that these are about a movement. And a movement to do what? To restore common sense. A movement to do things like provide economic growth. And a movement not to let anybody be behind.
Movies are movement. A comic-book is immobility. From one still picture to another, but no movement. You need to make the movement in your head. In the movies, you see the movement. It's different. What is the same is the mind of the creator.
I was working as a volunteer in a village, 25 km. from Bhopal, Madhya Pradesh, in 2012 when India Against Corruption movement started. I had realized that change needs to come from top downward, so I decided to join the movement as a volunteer and started policy research for the same.
I had formed a black movement, so I would speak for the Trotskyist movement and then walk about a hundred yards to where the black movement was speaking.
There is movement and movement. There are movements of small tension and movements of great tension and there is also a movement which our eyes cannot catch although it can be felt. In art this state is called dynamic movement.
My main aim in 'Gandhi' was to project him as the vanguard of non-violence. Nowhere in the world has a movement of non-cooperation sans violence received so much support from masses as Gandhi's movement in India did. He was, to a great extent, responsible for freeing his nation from the British Raj.
The gay rights movement of recent years has been an inspiring victory for humanity and it is in the tradition of the civil rights movement when I was a young boy in the South, the women's suffrage movement when my mother was a young woman in Tennessee, the abolition movement much farther back, and the anti-apartheid movement when I was in the House of Representatives. All of these movements have one thing in common: the opposition to progress was rooted in an outdated understanding of morality.
The pictorial work was born of movement, is itself recorded movement, and is assimilated through movement (eye muscles).
If you understand the Black Lives Matter movement, there's no central leadership of the movement. This is an organic, grassroots movement all around America.
At the same time the folk boom was happening, the civil rights movement was happening, the anti-war movement was happening, the ban the bomb movement was happening, the environmental movement was happening. There was suddenly a generation ready to change the course of history.
Newsman are the ones who - without them we don't have a civil rights movement, we don't have a women's movement, we don't have a Vietnam movement.
One movement that I find interesting - this is not a movement in poetry necessarily, but there's a movement on a lot of campuses now called eco - criticism. It's a body of theory based on how nature is treated in literary works. That sort of interests me.
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