A Quote by Athiya Shetty
People need to be sensitive to all body types. Not everybody is meant to look the same.
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My God, these Feeling types! ... Sensitive people are just tyrannical people - everybody else has to adapt to them.
Even though it's still, annoyingly, something everybody feels the need to bring up to anybody who doesn't look like a model, there are more women now who are super successful and have different body types. You know, like men do. That feels like progress to me.
You look at the body types of some of the strongest people in the world, they're compact. They can move their body weight because there's not as much distance to go.
Differences in race, differences in sex, somebody doesn’t look at you right, somebody says something. Everybody is sensitive. If I had been as sensitive as that in the 1960s, I’d still be in Savannah.
I think what people need to realize is that, with trans people, we're like everybody else. No group of people are all the same. All women are not the same, all men are not the same, all children are not the same. It's the same thing with trans people - we're all so different, we have different goals, different dreams, and different aspirations.
Backbends are not poses meant for expressionism. Backbends are meant to understand the back parts of our bodies. The front body can be seen with the eyes, but the back body can only be felt. That's why I say these are the most advanced postures, where the mind begins to look at the back.
I believe in sketching because there is something very sensitive in sketching, you know, in sketches that you don't have out of a computer that looks the same like everybody even if, later on, the dresses are OK, but I like to sketch, and I like to see trails made after my sketches that look the same. It is you know, what I like.
I think that's one thing that hinders hip-hop and I think when everybody tries to be the same... That's why people look at the 1990s almost like it was a golden era in hip-hop 'cause it was so much diversity in the music and in the artists. It wasn't everybody just trying to paint the same picture and say it with the same flow.
People think I'm strong as hard as I look. But I've a very sensitive side and need to be loved by everyone.
I am one of those sort of "lesser" types, those sensitive types, those people who wouldn't have made it on their own if other people hadn't helped them. A straightforward capitalist society would've cut them off and let them die. So I was saved by my friends and by my family and by people who cared about me, and by modern psychotherapy that cared about women.
Of course everyone should have the right to get married. But I think people need to remember sometimes that we don't all need to be the same. There's thousands of different types of relationships that people can have, whether it's completely monogamous or it's not monogamous, or they're married, or they're single or whatever it is.
We need to encourage designers and agencies to be responsible. We need to make sure everyone is sensitive to the issues. But to calculate the girls' body mass - I personally think it is demeaning.
People have to learn that everybody is the same. If you wake up in the morning, even if you're a movie star, you look like everybody else. The reality is that makeup is there to help. That's what it's for.
I never think of people's nationality too much. I always look at everybody the same. It's impossible for me to just say one group of people over separate groups of people. Maybe it's because I was raised in New York City which is this melting pot. Everybody was always the same and the whole point of my whole film existence was to say that we're just one race.
I think it comes down to the type of personality that the performing arts seem to attract. And that's outgoing, very sensitive - sometimes incredibly insecure - people, that for some reason need a lot of validation. They have a lot that they have to get out, and they choose one of the hardest professions in the world in which to exist, being as sensitive as you need to be.
Growing up in Asia in a particular time period - the '50s and '60s - I attended a Catholic missionary school where I was taught by nuns and where consciousness of the body was repressed. Yet at the same time, the female body was a highly visible and sensitive site.
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