A Quote by Athiya Shetty

I think people should know that it takes a lot of effort to look the way we do in front of the camera, and it is not hunky-dory always. — © Athiya Shetty
I think people should know that it takes a lot of effort to look the way we do in front of the camera, and it is not hunky-dory always.
Bowie's 'Hunky Dory' influenced me. 'Ziggy Stardust' influenced Johnny Ramone a lot, especially his guitar parts.
The American teacher stands on the front lines of poverty and inequity that our fellow Americans refuse to acknowledge, on the front lines of the real social condition of our nation–not the advertised one–and we stand together. When we look over our shoulders, there’s no one there backing us up. The rest of the army is off pretending there is no fight to be had here, no excuses to be made, no hardships to decry, no supply lines to worry about, that things in American society are just hunky-dory outside of the fact that the teachers just don’t care enough
She didn’t hurt you? (Acheron) Nope. I’m all hunky-dory. (Tory)
I used to study 'Hunky Dory' - and be mad that I hadn't figured out anything that cool!
McLeod's Daughters was my first regular job out of drama school, and my first full-time role. That was great because I learned a lot, in terms of working in front of the camera. I learned a lot of technical aspects that you take for granted once you know them, but you have to learn them somewhere, along the way. It was a bit of a training ground for me, working in front of the camera and also dealing with media.
In 'Citadel,' I play a very young father. When I first signed onto 'Hunky Dory,' I was actually 18 years old.
If you make a feelgood film which is complete candyfloss, where everybody is good and everything is beautiful and hunky dory, it won't appeal to the audience.
I'm always going to hear people make that connection and I've just accepted it. It's alright. I'm just happy that I get to do my own thing now. I learned a lot from the show [the Voice] as far as being in the TV world and being in front of the camera, which is really great because I'm not as nervous in front of the camera as I was before.
It's hard to put yourself in front of a camera, in front of the world, when you don't feel like you look the part. I've always had that problem. But I deal with it every day. When I'm interviewing, I'm like, "How do I look? Do I look all right?"
While I think men in general should not fuss over how they look, I do feel as though they should make more an effort to find a way to look good in their own individual, but natural way. I think it's a shame that it's become acceptable to wear jeans and a T-shirt to any place and function.
I have a lot of appreciation for what people do in front of the camera as well as behind the camera. I don't think I could like one without the other. Eventually, I think the road will lead me down to producing or directing, because it's more about problem solving.
Even if one is not a great actor, just being in front of the camera requires a lot of effort.
My favorite was the one about 'Snow White'. Those funky little guys with the beards. The poisonous apple. And that cool mirror the evil stepmother used to talk to. You know, she'd ask it all these questions: Who's the nicest? Who's the sweetest... Who's the fairest of them all? And for a while, everything was hunky-dory.
A lot of the time with an independent production, you go onto the set, and you rehearse it in front of the crew, and at that point, the cinematographer takes over. You start accommodating the camera instead of the camera accommodating you.
Turning 30 was when my parents both got cancer and were fighting it and beat it, but their mortality started to get to me. Everything wasn't as hunky-dory like it was.
Looking into my future, I don't always want to be in front of the camera. I want to be behind the camera and bring to life those family members of mine or people that I knew or the kids I grew up. I want people to know the different facets of black people, brown people, all people.
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