A Quote by Athol Fugard

My essential identity is that of a writer. — © Athol Fugard
My essential identity is that of a writer.
All third world literature is about nation, that identity is the fundamental literary problem in the third world. The writer's identity is insecure because the nation's identity is not secure. The nation doesn't provide the third world writer with a secure identity, because the nation is colonized, it's oppressed, it's part of somebody else's empire.
I am a writer and always was; being a writer is an integral part of my identity. Being published, being well regarded, is a component of that identity.
A writer soon discovers he has no single identity but lives the lives of all the people he creates and his weathers are independent of the actual day around him. I live with the people I create and it has always made my essential loneliness less keen.
I have multiple identities. I'm British. I'm Pakistani. I'm a Muslim. I'm a writer. I'm a father. And each identity has rich overtones. So I must be careful to look at your identity, and that of others, in the same way.
You don't have to make something in order to retain your identity as an artist or a writer or a creative person. A lot of people think they have to be producing in order to maintain that identity.
The identity of just one thing, the "clash of civilization" view that you're a Muslim or a Hindu or a Buddhist or a Christian, I think that's such a limited way of seeing humanity, and schools have the opportunity to bring out the fact that we have hundreds of identities. We have our national identity. We have our cultural identity, linguistic identity, religious identity. Yes, cultural identity, professional identity, all kinds of ways.
I don't feel as if I'm typecast - like any writer, the difficulty is that one facet of my identity becomes louder, obscuring the fact that I'm also a woman, a writer, a lover of pop culture and other things.
I know that the writer does call up the general and maybe the essential through the particular, but this general and essential is still deeply embedded in mystery. It is not answerable to any of our formulas.
To write that essential book, a great writer does not need to invent it but merely to translate it, since it already exists in each one of us. The duty and task of a writer are those of translator.
My mom never went to college, so she just assumed the writer identity, and that was always really inspiring to me. It's not something you need nine levels of education for. It's really an identity that you claim for yourself, and then you have to make yourself one.
The good writer and the good actor are always searching for what is essential. It is a never-ending task because what is essential is always elusive and, therefore, fascinating.
As a writer, I have to admit, there is something darkly compelling about Alzheimer's because it attacks the two things most central to a writer's craft - language and memory, which together make up an individual's identity. Alzheimer's makes a new character out of a familiar person.
Detach the writer from the milieu where he has experienced his greatest sense of belonging, and you have created a discontinuity within his personality, a short circuit in his identity. The result is his originality, his creativity comes to an end. He becomes the one-book novelist or the one-trilogy writer.
My chief identity, to my mind, was not 'writer' but 'college dropout.'
Belladonna, n.: In Italian a beautiful lady; in English a deadly poison. A striking example of the essential identity of the two tongues.
We are undermining a generation's happiness by depriving them of national identity, religious identity, and gender identity
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