A Quote by Atticus Ross

With 'Gone Girl,' I sat down, and suddenly the end credits were rolling; you just become so engrossed in it. — © Atticus Ross
With 'Gone Girl,' I sat down, and suddenly the end credits were rolling; you just become so engrossed in it.
There was a paperwork mishap on 'War For The Planet Of The Apes,' in that the end credits was simply called 'End Credits.' And that's what appears on the album. Once we realised that was out there, we were so ashamed.
When I was growing up, there were just the three channels, so as a nation we all sat down to the same meal at the end of the day. Now there's been this explosion.
When he utilizes combined energy, his fighting men become as it were like unto rolling logs or stones. For it is the nature of a log or stone to remain motionless on level ground, and to move when on a slope; if four-cornered, to come to a standstill, but if round-shaped to go rolling down.
The music alone wasn't enough. It was great, but when an artist had an amazing look - like the MC5, or the Stooges, or Alice Cooper - you really got sucked in. The wardrobe was so important. At a show, you were engrossed in the music, but you were also engrossed in everything from the haircuts to what they were wearing.
My 'Pearl Harbor' story is that I've never seen it, and I suspect that I was cut completely from the movie, but my name is fairly high in the credits at the end. So, anybody that's ever said that they saw me in Pearl Harbor, I think they just saw the list of credits at the end of the movie.
Just as I lay back, she sat up. I sat up, and she flopped back down. Awkward. That was my every move when it came to her. Now we were both lying down, staring up at the blue sky.
He went to bed early, but could not fall asleep. He was haunted by sad and gloomy reflections about the inevitable end- death. These thoughts were familiar to him, many times had he turned them over this way and that, first shuddering at the probability of annihilation, then welcoming it, almost rejoicing in it. Suddenly a peculiarly familiar agitation took possession of him... He mused awhile, sat down at the table, and wrote down the following lines in his sacred copy-book, without a single correction.
You get to the end of something, you're laughing, you're like, 'That's funny, and that's funny,' and then you get to the end, and the credits come down, and you're like, 'That's it?! That's the whole thing?! You had me here for that?!' I just don't want to do that.
Back in the really olden days, dinner was seldom a ceremonial event for U.S. families. Only the very wealthy had a separate dining room. For most, meals were informal, a kind of rolling refueling; often only the men sat down.
My idea of life, it's what happens when they're rolling the credits.
I don't do well with modern films, to be honest. Opening credits, and I'm just gone.
I grew up in the suburbs of Cleveland in 1988 and there was just one year where suddenly all of the delivery kids that used to be boys were suddenly girls. It happened at our church too. Altar boys were suddenly altar girls. There was just this sense that all these young women knew there were openings here to be the first of their kind.
The Houston team I was on - we were just rolling. We just hit the right stride at the right moment. And the Lakers team, we were rolling again.
So that's what I'm here to become. And suddenly, this word fills me with a brand of sadness I haven't felt since childhood. The kind of sadness you feel at the end of summer. When the fireflies are gone, the ponds have dried up and the plants are wilted, weary from being so green.
When I've seen an opportunity I haven't sat down and called a committee meeting, We've gone and done it.
Suddenly I become filled with a consuming impatience to be gone.
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