A Quote by Atul Gawande

George Orwell is a pinnacle writer, for his combination of moral insight and literary writing. — © Atul Gawande
George Orwell is a pinnacle writer, for his combination of moral insight and literary writing.
Read with care, George Orwell's diaries, from the years 1931 to 1949, can greatly enrich our understanding of how Orwell transmuted the raw material of everyday experience into some of his best-known novels and polemics.
One of the best and most challenging books about Orwell is by the socialist literary critic Raymond Williams. As a critic - and, in some ways, as a figure, at least within the academy - Williams was what England had in the generation after Orwell, and toward the end of his life, he became more critical of his predecessor.
George Orwell famously described international sport as 'war minus the shooting'. But for all Orwell's greatness as a thinker, this was one of his least felicitous lines, analogous to 'murder minus the death' or 'life minus the breathing'.
In the greatest fiction, the writer's moral sense coincides with his dramatic sense, and I see no way for it to do this unless his moral judgement is part of the very act of seeing, and he is free to use it. I have heard it said that belief in Christian dogma is a hindrance to the writer, but I myself have found nothing further from the truth. Actually, it frees the storyteller to observe. It is not a set of rules which fixes what he sees in the world. It affects his writing primarily by guaranteeing his respect for mystery.
Writer George Orwell confessed he found something "deeply appealing" about Adolf Hitler. Where Martha Dodd was struck by Hitler's "weak, soft face," Orwell discerned "a pathetic dog-like face, the face of a man suffering under intolerable wrongs." All this is a reminder that psychopaths have been known to possess engaging qualities, and that Hitler was no less repellent for not sporting fangs.
My literary criticism has become less specifically academic. I was really writing literary history in The New Poetic, but my general practice of writing literary criticism is pretty much what it always has been. And there has always been a strong connection between being a writer - I feel as though I know what it feels like inside and I can say I've experienced similar problems and solutions from the inside. And I think that's a great advantage as a critic, because you know what the writer is feeling.
[George] Orwell's essays. It's got it all. Great writing, a worldview that I find interesting and useful, and most of it timelessly true.
It would be difficult for a writer of realism to avoid suggesting a political/moral perspective in his or her fiction. "Politics" per se is absent from my writing but there is usually a moral (if ironic) compass.
The moral duty of the free writer is to begin his work at home: to be a critic of his own community, his own country, his own government, his own culture. The more freedom the writer possesses, the greater the moral obligation to play the role of critic.
He [George Orwell] would not blow his nose without moralising on conditions in the handkerchief industry.
Whoa!" he says with a smile. The wrinkles at the corners of his eyes deepen. "Chicken salad a la George Orwell!
For many, the recent disclosure of massive warrantless surveillance programs of all citizens by the Obama administration has brought back memories of George Orwell's '1984.' Another Orwell book seems more apt as the White House and its allies try to contain the scandal: 'Animal Farm.'
I read all the time so it's difficult to say who my all-time favourites are. One is George Orwell, because he makes political writing so simple a child could understand it.
George Orwell's '1984' frequently tops surveys of our greatest books: it's not a celebration of poetic language. It's decidedly anti-literary, a masterpiece of personal and political narrative sequence. And its subject matter is crucial, because what '1984' shows is that language can be a dirty trick.
I cannot stand Tolstoy, and reading him was the most boring literary duty I ever had to perform, his philosophy and his sense of life are not merely mistaken, but evil, and yet, from a purely literary viewpoint, on his own terms, I have to evaluate him as a good writer.
The term Big Brother is from George Orwell's book 1984 - where everyone's watched over by a network of cameras called Big Brother. I've never understood why Orwell chose that phrase for somebody watching you all the time. Isn't that more like Creepy Uncle?
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