A Quote by Atul Kulkarni

As a format, I have watched shows from the West. I have tried to understand what it is and how this format is treated by writers, directors, and actors. I have been studying this format for four to five years.
I can say is usually people are slightly confused. They think that silent movies are old. But, the fact is, they are old because they have been made in the '20s. That's the thing that makes them old. Not the format. The format is just a format. It's not an old format.
Remember: TV is a format, film is a format, and books are a format.
In my view, the ebook world for both established and new authors is a terrific new and exciting format. It is a format that will bring forth many new writers to publishing.
It's Twenty20, anything can happen in the format. It's very difficult to predict and pick a favourite team in this format.
And that format was - we'd been using that format, I guess, since the late '70s, and it was starting to get very predictable. In other words, certain songs would surface in the same points in the set every so often; it was like rotation.
I was the first judge in the 'Indian Idol' format. The biggest risk when you adapt a format from a country in the West is how to make it your own, so I remember at the press conference for Indian 'X Factor,' the press would ask, 'Who is Simon Cowell?' And I said 'Why don't you ask Simon Cowell, 'Who is Sonu Nigam?'
BoJack' is a very much a format-based show. The story should always match the format, but I don't necessarily think the story has to come first.
I am not going to approve the home-screening format for my film just carte blanche in lieu of a theatrical screening when I cannot trust that it will ever be seen in the format that it's intended to be.
Every time you jump to another format in the 'picture business,' meaning film, television, commercials, the people in the other format go, 'Ah, yeah, you made a lot of features, but you don't know how to do TV' or the commercial people go, 'Oh, you can't do 30 seconds.'
When people tell me they're trying to meditate, I always know they don't have a format yet that works. I encourage a real meditative format that you use daily, because meditation is incremental and it only works if done every day.
The 'interactive fiction' format hasn't changed in any fundamental way since the early 1970s, in the same way that the format of the novel hasn't since 1700.
I write stuff down. I have a chalkboard in the kitchen where I will scrawl stuff down if I have a faint outline of an idea. And I'll go into my office or whatever. But that goes from format to format.
I guess my game plan in ODI cricket is very set with the new ball and at the death. In Test cricket, you have to bowl longer and batsmen don't have to score as quickly. But at the same time, as a bowler, you can bring in some aspects of one format to the other format.
I can apply myself to the format of 'SNL,' I can apply myself to the format of 'Conan,' but at the same time, I'm still being J. B. Smoove. I'm not changing up my style, I'm not changing up how I think, what's funny to me, my delivery, the way I carry myself.
It's so great to come in and do something where you know how strong the format of the show is and you're working with writers and directors who worked on the original show. It feels like you're going into a well-run ship already. Then it's just a matter of creating these new characters.
With pop music, the format dictates the form to a big degree. Just think of the pop single. It has endured as a form even in the download age because bands conform to a strict format, and work, often very productively, within the parameters.
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