A Quote by Atul Kulkarni

As far as Raikar Case' is concerned, I give the entire credit to the writer because of the way they have written this show. It is extremely intriguing. — © Atul Kulkarni
As far as Raikar Case' is concerned, I give the entire credit to the writer because of the way they have written this show. It is extremely intriguing.
All the things you are liking in 'Breathe', the credit goes to the director and writer. As far as I am concerned, I have given my 1000 per cent to the character, and I will continue to give my heart and soul to 'Breathe' because this series means everything to me.
As far as I'm concerned, the entire reason for becoming a writer is not having to get up in the morning.
I think I have it all. But I won't say that the credit for all that goes to me. I think the credit for all that goes to everybody around me. I mean, I have it all because my entire family is so cooperative. I have it all because my children did not whine and cry when I was not there. So, I think it's, you know, in a way, a two-way street.
I want to give credit where credit is due to Eric Radomski, who is the head of our production for Marvel Animation and who also happened to direct the pilot as well, has been the supervising producer on the show and has really been just looking at every single way that we can just plus up. This is a great-looking show.
Show me one place where a whole government is concerned with a book of a writer and is concerned enough to suppress it.
I've been writing since I was very young, even before I was a teenager. As far as I'm concerned, I am a writer - whether my writing's spoken or written in a blog, paper, book or printed on the side of a submarine.
'The Raikar Case' will offer the viewers with a kind of such a real experience as it truly delivers more than what meets the eye.
Unless a writer is extremely old when he dies, in which case he has probably become a neglected institution, his death must always be seen as untimely. This is because a real writer is always shifting and changing and searching. The world has many labels for him, of which the most treacherous is the label of Success.
Perhaps the writer I've read the most of is Haruki Murakami, the Japanese writer, but I wouldn't necessarily say he's a favourite. I read him because I find his work so intriguing, but I don't necessarily feel I would follow this writer to the ends of the earth.
It is a man's world at the top, at the bottom, and in between. Men are in the catbird seat as far as income, opportunity, status, and power are concerned. This is the way it always has been and, as far as men are concerned, it is the way it always should be.
'Presumed Innocent' was written over a six to seven year period with intervals in between where I was figuring out the end of the book and writing other stuff... My life as a writer was carried on against the odds. I had written four unpublished novels by then... as a writer of fiction, I hadn't gotten very far. I just wanted to do it.
The Tucson speech [of Barack Obama] was brilliant, and I'm so angry at Republicans for jumping on him because you have to give credit. Part of being successful is to give credit to people who you may not disagree with when they do well.
Americans are far more remarkable than we give ourselves credit for. We've been so busy damning ourselves for years. We've done it all, and yet we don't take credit for it.
Isn't it curious how one has only to open a book of verse to realise immediately that it was written by a very fine poet, or else that it was written by someone who is not a poet at all. In the case of the former, the lines, the images, though they are inherent in each other, leap up and give one this shock of delight. In the case of the latter, they lie flat on the page, never having lived.
How simple the writing of literature would be if it were only necessary to write in another way what has been well written. It is because we have had such great writers in the past that a writer is driven far out past where he can go, out to where no one can help him.
Dylan's 'Chronicles' is easily the best rock n' roll memoir ever written, as far as I'm concerned. There aren't many stories in there, but if you want to know where an artist came from and why he thinks the way he does, then that's the one.
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