A Quote by Atul Kulkarni
It is important for an actor not to get stuck with an image.
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Whatever takes your fancy, you should do it without worrying what will people think. Otherwise, you will get stuck, like how some get stuck in a lover boy image or in an action image.
I am an actor who doesn't believe in carrying an 'image' in the industry. I don't want to get trapped in an image.
You can get stuck in being wise. You can get stuck in having a developed will. It is very hard to get stuck in being happy. It is too lucid a state of mind.
When an actor comes to you and starts working with the script, the image of his character that you had in your mind gets substituted with an image of that particular actor. And this is the right way to go. An actor has to be absolutely truthful - this is the only thing required of him, apart from talent of course. It's very easy to understand: you need to absolutely believe in what you see.
If you say "I'm going to be an actor, but I'll get a teaching degree just in case," when things get hard, you'll just be a teacher and that's how you get stuck.
Be in the habit of experimenting with your clothing so that you don't get stuck for life with a self-image developed over the course of high school.
As a fortysomething actor, you reach a plateau of maturity from which you can really get stuck in.
If you look back, you get stuck in a year. I've seen rappers and singers get stuck in 2002 or 2005, and they can't get out.
I think I had a tendency to get stuck inside my head and go to some very dark places in my mind, and get stuck there. I couldn't see a way to get out.
As a television actor, there's a power you're given to use your image to do something valuable. As a parent, these messages are particularly important to me.
I wanted to be a stage actor but I got stuck on television. It took a couple of years to get used to.
You get an image in the first couple of years of your career, and then whether you like it or not, you are stuck with it for the rest of your life.
If you're looking to be loved for a part, it's great and enticing to be adorable in a romantic comedy. But then, as an actor, you get stuck.
In the days of witchcraft it used to be believed that if one person secretly made a waxen image of another and stuck pins into the image, its counterpart would suffer tortures, and that if the image was melted the person would die. This superstition is almost realized in the relation between the private self and its social reflection. They seem to separate but are darkly united, and what is done to the one is done to the other.
For me 'Meet Mila De Rabba' is a very important project since it will break my on-screen villainous image and prove my versatility as an actor.
For an actor, it's very important to get a clear idea of what a director wants, and their intention for what they want to get out of a scene and how they want to shoot it. Having that knowledge is really valuable, for an actor. It means you can deliver more.
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