A Quote by Atul Kulkarni

Dancing like a typical Hindi film hero was a bit strange at first but I enjoyed it. — © Atul Kulkarni
Dancing like a typical Hindi film hero was a bit strange at first but I enjoyed it.
In a typical Hindi film, there's the role of the hero, the heroine, and the other important character is the villain.
My journey has practically been a typical Hindi film script. I was a boy from a small town who wanted to make a future in dancing. Everyone though that I won't be able to do anything.
'Aiyyaa' was not the first film that I was offered in Hindi... it was the first film that I wanted to do in Hindi.
It's a bit like school camp, shooting a film. Everyone's on heat. It's a strange energy. It's full of adrenalin. I funnel my excess energy in funny little ways. I do a lot of dancing in my trailer. I love music.
I'm sure I will play the typical Hindi film heroine and have my song and dance routines in future.
I have played characters where I haven't been absorbed - you know, what I call a typical film leading man role where you just have to look gorgeous and be attractive and charming. It bores me. I like a bit of dirt, a bit of sand in the oyster.
I enjoyed dancing with the Hardy Boyz back in the day. We did a lot of stuff at the house shows, dancing with Eddy Guerrero, and I think I had Mark Henry dancing as well. Kurt Angle danced. There were a lot of people who enjoyed that part of the magic of Rikishi and Too Cool.
I really discovered [Dr.Strange] through hearing about this film and first meeting Scott [Derrickson] and getting into it and just opening up and saying, "Okay, this is, like all comics, very much of its era," and my first question was, 'How do you make this film? Why do you make this film now?' and the answers were so enticing that I was like, "I'm in."
When I made 'Satyamev Jayate,' which is a typical Hindi action masala film, people told me it won't work because only real cinema worked. But it was a hit.
The Hindi film that connects with my life story the most is the movie 'Hero' - two brothers being lost and sort of coming back.
I'm so bad at dancing that I've actually been in two movies where the director of the film saw me dancing and thought it was so funny that in one movie they had me do it as the mental dancing of a real simple person. The other one was, like, to-be-laughed-at dancing. That's how bad my dancing is.
When I did my first Hindi film, 'Sargam,' I had to play a dumb girl. Critics went to town saying that since I was a south Indian and didn't know how to speak Hindi, producers of the movie decided to make me play dumb.
Hindi film heroes never age but Hindi film heroines age fast.
My friends they were dancing here in the streets of Huntsville when our first satellite orbited the Earth. They were dancing again when the first Americans landed on the Moon. I'd like to ask you, don't hang up your dancing slippers.
I remember breaking the news to both my parents that I wanted to be a director, and they both looked very doubtful. They didn't know what a closet Hindi film buff I was. I used to dance to old Hindi films songs on the sly, so my decision to be a part of Hindi cinema was shocking even for my parents.
I wanted to create a believable feeling for 18th Century reality in the Perfume: The Story Of A Murderer. I didn't want this typical film feel of strange people in strange costumes, not really knowing what to do or how to move. If you put an 18th Century costume on Alan Rickman, it looks like he's been wearing it forever because he inhabits the stuff. He is a character that can really travel in time as an actor and transform into this 18th Century person with seemingly no effort.
This site uses cookies to ensure you get the best experience. More info...
Got it!