A Quote by Aubrey O'Day

'Danity Kane' was a wonderful group, and like all things, nothing is forever. We had a great run and we were very successful. — © Aubrey O'Day
'Danity Kane' was a wonderful group, and like all things, nothing is forever. We had a great run and we were very successful.
Danity Kane' was a wonderful group, and like all things, nothing is forever. We had a great run and we were very successful.
The problem with Danity Kane is everybody wanted to play everybody's role, and when you're in a group like that, that can't survive.
First of all, I've been having a wonderful run of luck with cover albums, songs I didn't write. I had five pop cover albums and two Christmas albums, and they were all very successful.
I wish to do something Great and Wonderful, but I must start by doing the little things like they were Great and Wonderful
The Yale group was doing the Harold. So by our senior year we were trying to do the Harold. Again, we had no idea what we were doing. We had one guy in the group who was pretty experimental; he would kind of push us to do weird things. It was really fun, a great experience.
But, though I was very much in lust with him, I knew from the start we were nothing like "forever." Maybe because forever is such a scary place.
Cassidy's heart tried to leap out through his taught skin and hop into his wet hands. But outwardly it was all very calm, very serene, just as always, and it seemed to last a tiny forever, just like that, a snapshot of them all on the curved parabola of a starting line, eight giant hearts attached to eight pairs of bellows-like lungs mounted on eight pairs of supercharged stilts. They were poised on the edge of some howling vortex they had run 10,000 miles to get to. Now they had to run one more
I mean, everyone says Citizen Kane. It isn't that great, anyway. And Orson Welles I knew well, of course. He made other incredible films that no one would let him make, which were much better than Citizen Kane, really.
I had seen nothing sacred, and the things that were glorious had no glory and the sacrifices were like the stockyards at Chicago if nothing was done with the meat except to bury it.
I had a good run here, fifteen years. That's a great run. I'm not saying that I'm done in center field - if I could play there forever, I would. But I know that's not reality, so I'm happy.
I haven't done anything with Chick Corea. He had a group called Return to Forever, and everyone in the group became a superstar. I would really like to work with him.
I have a great respect for actors like Clint Eastwood, who's a wonderful director. I think two pictures that I directed were not successful, so I decided not to make any more.
In the '60s and '70s it was a great period for American films because studios were still run by individuals who worked off the seat of their pants and went along with things. At that time, they were very uncertain about what to make because of the influence of television. A lot of really terrific movies were made. But then the studios gradually became more corporate and were owned by corporations and run in that way and now they're very nervous. You see what they make - sequels, franchises and try not to take risks.
The things I had were mine and some of them were broken, but they were real. They were so very far from nothing.
I've run a very successful business, and I think I can also run a very successful team.
When I was in junior high school, friends and I were in a consciousness-raising group, a term that now seems quaint like a butter churn, but it was very powerful. It was a really wonderful experience.
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