A Quote by Aubrie Sellers
I had all these raw, gritty rock records that really inspired me sonically, and so I think everything I listen to when I started writing my own songs kind of came out naturally, and it created this new sound.
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When I was 16 or 17, I started listening to Death Cab, and I started writing my own songs. I was writing alternative rock, and I had a seven-piece band. The shift was just iterations of experimentation and finding what sounded right. When I stumbled on the sound and vibe that I currently have, it was kind of by chance.
And the thing about me is, I have a lot of mellow songs, because they're the easiest for me to write. I wanted to try to make some more upbeat songs, so, I ended up gravitating toward writing songs with friends, which was a great learning process, and also we came up with great songs. Those are the songs that came out the most naturally.
There was no indie rock band in the 90s at the level of, like, Grizzly Bear. I listen to their records and it's crazy how good they sound. That really freaks me out.
There's a lot of people over time who have brought out all these funky records that everybody has started jumping on like a catch phrase... When Planet Rock came out, then you had all of the electro funk records.
Not to be rude to my sisters, but I don't listen to drag music. I listen to everything from punk to Italo disco to Appalachian country music, but I don't know what their records sound like. I hardly listen to my own records. I'm like Cher!
I put some songs on the Internet back in 2009 - that's kind of how everything started with Washed Out. I had never really planned on being in a band or anything like that. It was kind of a hobby I did on my own, just recording music.
I started to listen to music and began collecting records around 1948. And it was fairly soon after that that hi-fi came about, so that it was possible to have really good sound - LPs and tapes and speaker systems. The whole thing came more or less at once.
I don't know if there are artists out there who love their own records. I haven't met any, and I'm kind of extreme in the other direction, but therein lies the impetus to keep working and keep making new songs and new records.
Not to sound egotistic, but I've gotten kind of good at it. It's something that came naturally to me, but my rapping is rooted in my writing.
I care about the records I make and I love writing songs and some songs are really dear to me and they mean something. But the memory of making the records and the activities surrounding the records, the people involved in them is actually a bigger thing to me.
Even writing verses from my first album, there were songs that I didn't use because I just felt that they weren't really for me. But I think that happens naturally when you write songs. You're in a different mood in every session. There's so many songs out there that could potentially be used by other artists.
One of the things that helped me to be confident is to be the kind of musician that I respect. I always liked musicians who wrote their own songs, and so I started writing my own songs.
So, my records really didn't sell, but musicians started picking up on my sound and my songs and cutting my songs and that turned into a gold mine.
I started playing guitar and writing songs when I was 15. I think what mainly sparked my interest was just the fact that I grew up listening to Cheryl King, Joni Mitchell, and James Taylor, and was just always inspired by that sort of organic art, and organic songs and just very natural songwriting that came out of some of those artists.
I know some people really try to avoid music when they're writing and recording, but I am very inspired by so many different musicians, and I need to learn. I sit around and try to play along to certain songs that I really love. It helps you explore new territory. I don't think I listen to enough.
In New York, my dad raised me to listen to everything like hip-hop, rock and country music. When I moved to Dallas, I started listening to whatever I wanted to listen to.
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