A lot of these reality-TV shows people go on, they come off, and nothing happens. You never hear from them again. Fifteen seconds of fame is not the name of the game. No matter how big you break, or how many people you break in front of, you still have to slowly build a fan base to have anything loyal and lasting from people.
I want to look after myself and have a long-lasting career if I can. I want it in my hands and choose when I want to stop playing. I also want to be around for my kids to watch them grow up.
I'm the ayatollah of the Jane Austen fan base! I want to lead the fan base, not be attacked and devoured by the fan base.
I can't tell if I want to be a rapper who's funny because I kind of enjoy just doing really stupid songs about nothing. But I want to have a career that's long-lasting, and I don't think people want to listen to a straight-up comedy rapper all the time.
Well, what's interesting, I try not to think about the radio when I'm writing a song. I want people to love the song, and that means it might not be exactly thinking about the radio, but it's thinking about your audience and saying, 'I want people to like this song after it's done.'
Come away with in the night
Come away with me
And I will sing you a song
Come away with me on a bus
Come away where they can't tempt us
With there lies
I want to walk with you
On a cloudy day
In fields where the yellow grass grows
Knee-high
So won't you try to come
Come away with me and we'll kiss
On a mountain top
Come away with me
And I'll never stop loving you
And I want to wake up with the rain
Falling on a tin roof
While I'm safe there in your arms
So all I ask is for you
To come away with me in the night
Come away with me.
You build a fan base over time, and they will accept you as long as it's good. Nothing matters as long as something's good. If it's bad, nobody will see it.
Because I don't do stand-up, radio has always been my equivalent, a place to stay in connection with the public and force myself to write every week and come up with new characters. Plus it's a medium that – having grown up with it and putting myself to sleep with a radio under my pillow [as a kid] – I love. No matter what picture you want to create in the listener's mind, a few minutes of work gets it done.
For a long time, we just played here - Columbus is a perfect place to work your way up and maybe build a fan base.
I've been told that having an Instagram account will help me book more roles, get more endorsement deals. It makes you more of a brand. But I'm not interested. I want to build my fan base through movies and movies alone.
The only way to build a fan base is to have a lot of material out there for readers to find. You can't manufacture a fan base. You create it, one story at a time.
I love my fan base because they never high-five me; they always get really shifty and hide. Adam Sandler's fan base are like, 'Hey!' and high-five him and want to hang out, but mine go behind pillars and get really freaked out.
I want to be around for a long time. I want this to be a career. I want to sing like Tony Bennett. I want to be an old man and I want to go through all the ups and downs and I wanna still love what I do.
I've gone from having a huge fan base to losing a huge fan base to having a kind of fluctuating fan base. I've always had a core of fans who've stuck by me but, depending on the kind of music I do, I end up appealing to certain groups of people and alienating others.
The good thing about radio is that it's the kind of career that really is a career with longevity. It's something you can do as long as you want to do.
I want to be Jacques Pepin. I want to have a nice 50-, 60-year career. I want to be on PBS when I'm 70-something, still kicking it, having a great time, showing up in Aspen to sign cookbooks. I just want to have a nice, big, long career.