A Quote by Audra McDonald

I auditioned for Julliard because I wanted to live in New York, and I wanted to be on Broadway at the time. Julliard seemed like right way to get there. — © Audra McDonald
I auditioned for Julliard because I wanted to live in New York, and I wanted to be on Broadway at the time. Julliard seemed like right way to get there.
I had this notion that maybe I wanted to be an actor... I thought it might be a neat career. I thought if I was going to try that, I should shoot for the best, and I auditioned for Julliard.
I wanted to be in New York because I wanted to be on 'SNL.' I spent a lot of time wanting to be on 'Saturday Night Live' as a kid. That's what I wanted.
I always wanted to get out of Tokyo and in 1977, New York seemed like the most interesting place to visit. I didn't intend to live here- I just wanted to get out and see what was happening. I just happened to stay here then.
Toward the end of 11th grade, my acting teacher asked me if I was thinking about going to college. I said, 'Yeah, I think so.' He said, 'You should audition to Julliard.' I was like, 'What's that?' I'm accepted to Julliard, and I realize within the first couple of weeks just how lucky I was to be in the program.
I moved to New York to go to Julliard Drama School. Didn't sing a single note of music.
When I came up to New York to do a play, I passed by Julliard, and I was like, 'Oh I heard of this place.' I applied, and ended up getting in.
Can't Hardly Wait was a movie everyone wanted. I wanted the lead girl sooo badly, I think it was Lauren Ambrose. I wanted it so badly, I kept auditioning. I didn't get it, but I think everyone that auditioned - because everyone went out for it - got some screen time in it, like me.
I made a naive decision, and I joined the Navy. I figured I would use the G.I. Bill to pay for any college I wanted. I dreamed of going to Julliard to study music and acting.
I wanted to just be a filmmaker, and I thought I wanted to do all the aspects, and it seemed like as a producer was the best way to do it, because I could have... You never have control on a movie, but you have as much control as you can. You can push it through, and you can hire the right people.
I came into music just because I wanted the bread. It's true. I looked around and this seemed like the only way I was going to get the kind of bread I wanted.
I didn't want to be driving to work everyday and sending out my Starbucks order. I didn't want to be in New York or L.A. I wanted to have space and I wanted to be in a remote place where all of us could just be ourselves and not worry about anyone trying to listen in or get in on that. I wanted to just be comfortable. I feel like being in a big city - as much as I find New York, in particular, very inspiring in a lot of ways - can also be claustrophobic.
I went to New York. I had a dream. I wanted to be a big star, I didn’t know anybody, I wanted to dance, I wanted to sing, I wanted to do all those things, I wanted to make people happy, I wanted to be famous, I wanted everybody to love me. I wanted to be a star. I worked really hard, and my dream came true.
Yeah, I love living in New York, man, and people who live in New York, we wear that fact like a badge right on our sleeve because we know that fact impresses everybody! I was in Vietnam. So what? I live in New York!
I went to grad school in San Francisco, and then left for New York City with my eye on Broadway. I had saved $5000, which seemed like a lot of money in my mind... until I realized it was going to take $2500 to get to New York and then the first and last month's rent.
I've always wanted to be a voice actor. Well I think at first I wanted to be a singer. Then in middle school I auditioned for a musical and I only really cared because I wanted to sing in it. I had to act as well as part of the audition and that was the first time I ever really acted, and I was like 'Oh hey, this is fun, I like doing this.'
Honestly, people told me to. It was weird, I graduated from school, I never thought I'd live in L.A. and I always wanted to be to New York. I assumed that would be my trajectory - that romantic ideal of moving there and doing plays Off-Broadway and being scrappy about it. Then we did a showcase in New York and a showcase in L.A., and for whatever reason the response that I generated in L.A. was significantly more enthusiastic.
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