A Quote by Audra McDonald

I choose things that challenge me. I was afraid of the camera - that's why I chose to do 'Private Practice.' It's not like I left the theater. — © Audra McDonald
I choose things that challenge me. I was afraid of the camera - that's why I chose to do 'Private Practice.' It's not like I left the theater.
I didn't choose to be white, I didn't choose to be male, I didn't choose to be heterosexual, I didn't choose to be right-handed. Those are the givens of life. And I don't know why the church can't deal with that, why they can't understand that. Well, I do know why: because people are always afraid of anybody who's different.
The United States did not choose to fight Islamic extremists. These terrorists chose to fight our way of life. They chose to challenge our existence.
I saw something in you that I couldn't live without. I chose you, inside of me, and you chose me. It's not one sided, it only works when both people choose the other. You are perfect for me in every way.
Kobe Bryant demands his teammates to be the best every night, and he's not afraid to challenge them. He's not afraid to challenge them publicly, he's not afraid to challenge them in the locker room, and that's what you need from a leader.
When I was an actor in some movies a long time ago, I was so curious about all the camera movements - why is the camera placed here, and why does it move like this? And why the set and the background, the color? It's a lot of questions for me to ask, because I was so interested, not only in acting, but also the whole process of filmmaking.
Even if people are all from the same place, there can be very, very different approaches. It's one of the things I'm fascinated by. It's why I like directing. I like to see how different people approach trying to be truthful, on camera or in the theater, and whether you can make them match up.
Influential people are never satisfied with the status quo. They're the ones who constantly ask, 'What if?' and 'Why not?' They're not afraid to challenge conventional wisdom, and they don't disrupt things for the sake of being disruptive; they do it to make things better.
I was inspired to become an actor from theater I'd seen, so I assumed I'd do a lot of theater. But when I left Guidhall, the first thing I did was a short film - I played the main character. And I loved it. I love working on camera. I love the smallness of it and the detail and the routine of it.
I didn't choose BYU, I like to think it chose me.
I'm not afraid to challenge guys. I'm not afraid to put guys in positions to help the team. And I'm not beyond accepting criticism and challenges myself. I think that's why guys are attracted to wanting to play and be around me. They know I'm all in on winning.
A newcomer needs to be careful as to what kind of role they choose. If you choose something different, you will end up getting typecast. That's why I chose to play a character my age, to keep my options open for the future.
I'm so afraid to love you, But more afraid to lose. Clinging to a past that doesn't let me chose.
Personally, I'm afraid of suffering and afraid of dying. I'm also afraid of witnessing the suffering and death of those who are close to me. And no doubt I project these fears on those around me and those to come, which makes it impossible for me to understand why everyone isn't an antinatalist, just as I have to assume pronatalists can't understand why everyone isn't like them.
I didn't choose Paris. I like to think that the city chose me.
When you call someone and ask them to do something they've never done before, in different mediums I think they would be inclined to pass because they're afraid of the risk. But the creative people who populate the theater world love the challenge of new things.
The wonderful thing is that Clive [Oppenheimer ] insisted on training his camera - his private camera - on me at one point. We were discussing things such as how to avoid certain dangers, while reflecting on a volcano that had threatened to explode 40 years ago.
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