A Quote by Audre Lorde

I train myself for triumph by knowing it is mine no matter what. — © Audre Lorde
I train myself for triumph by knowing it is mine no matter what.
It was a mistake of mine to train like that, with friends, at home. It was a handicap I should not have given myself. In Croatia, we do not have big camps like in other countries, but I was not willing to go away to train.
I've done things that I wouldn't ordinarily seem capable of doing. And I've proven myself in situations where there's life and death at stake. And so, I can live with myself knowing that it's not a matter of guts or anything like that. It's a matter of willingness to go the length, to transcend yourself.
There is no reason why good cannot triumph as often as evil. The triumph of anything is a matter of organization. If there are such things as angels, I hope that they are organized along the lines of the Mafia.
My heart is warm with the friends I make, And better friends I'll not be knowing, Yet there isn't a train I wouldn't take, No matter where it's going.
I'd rather play a tune on a horn, but I've always felt that I didn't want to train myself. Because when you get a train, you've got to have an engine and a caboose. I think it's better to train the caboose. You train yourself, you strain yourself.
Although there may be tragedy in your life, there’s always a possibility to triumph. It doesn’t matter who you are, where you come from. The ability to triumph begins with you. Always.
Mine is a very matter-of-fact approach to the problem. If you can select a population and they're educated and they're properly brought up, then you don't have to use too much of the stick because they would already have been trained. It's like with dogs. You train it in a proper way from small. It will know that it's got to leave, go outside to pee and to defecate. No, we are not that kind of society. We had to train adult dogs who even today deliberately urinate in the lifts.
We're right here on this very spot. Besides, being lost is never a matter of not knowing where you are; it's a matter of not knowing where you aren't - and I don't care at all about where I'm not.
There are many hundreds of millions of people who have jobs harder than (mine), and I also remind myself of that every day. No matter how frustrating this can be, I am very lucky that I have been able to cobble together a little life, in which (comedy) is what I do. I am certainly not in danger of getting stuck in a mine anytime soon.
'Long Black Train' was inspired by a vision that I had of a long, black train running down this track way out in the middle of nowhere. I could see people standing out to the sides of this track watching this train go by. As I was walking, experiencing this vision, I kept asking myself, 'What does this vision mean and what is this train?'
We all have a purpose in life and I believe this being an activist is mine, so that's one of my driving forces. The second driving force is knowing that I'm actually making a difference to people's lives. Knowing that women are saying that their young daughters are looking up to me now, knowing that I've helped someone to not commit suicide. Getting messages like that are very powerful.
Well, I think in my own work the subject matter usually deals with characters I know, aspects of myself, friends of mine - that sort of thing.
The Polar Express began with the idea of a train standing alone in the woods. I asked myself, What if a boy gets on that train? Where does he go?
'The Polar Express' began with the idea of a train standing alone in the woods. I asked myself, 'What if a boy gets on that train? Where does he go?'
no matter what bullshit you heard, hes still mine! he'll always be mine
Women represent the triumph of matter over mind, just as men represent the triumph of mind over morals.
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