A Quote by Audrey Hepburn

Living is like tearing through a museum. — © Audrey Hepburn
Living is like tearing through a museum.
Living is like tearing through a museum. Not until later do you really start absorbing what you saw, thinking about it, looking it up in a book, and remembering - because you can't take it in all at once.
The museum in D.C. is really a narrative museum - the nature of a people and how you represent that story. Whereas the Studio Museum is really a contemporary art museum that happens to be about the diaspora and a particular body of contemporary artists ignored by the mainstream. The Studio Museum has championed that and brought into the mainstream. So the museums are like brothers, but different.
I would like to bring people who have never been to a museum into a museum. And I would like to bring museum goers into libraries. I think there ought to be this cross-fertilization.
This is not a museum of tragedy. It is not the museum of difficult moments. It is the museum that says -here is a balanced history of America that allows us to cry and smile.
I did make several trips to the very wonderful [Georgia] O'Keeffe museum. Besides the art (my favorite paintings are from her Pelvis series) my favorite thing about the museum is the architecture. I love how enormously tall the doors are - it is like going into a church. There is also something home-like about the layout of the museum. I wish I could live there!
I love the Museum of the Moving Image, and I like the idea of bringing artifacts of the cinema into a museum.
Sometimes I feel like a caretaker of a museum -- a huge, empty museum where no one ever comes, and I'm watching over it for no one but myself.
In Paris, it used to feel like you were living in a museum. As beautiful as it was, it's still limited. But here you have just everything.
To give you an idea about how old I'm getting, we had some family living in Texas for a while, and we went to the Texas museum at the University of Texas in Austin, and they had this whole Texas Instruments section, and my Speak & Spell was an exhibit in the museum.
There's a way about it: tearing people down, but not tearing them apart.
Theres a way about it: tearing people down, but not tearing them apart.
We're all going to go crazy, living this epidemic [AIDS] every minute, while the rest of the world goes on out there, all around us, as if nothing is happening, going on with their own lives and not knowing what it's like, what we're going through. We're living through war, but where they're living it's peacetime, and we're all in the same country.
I think that you can treat a classic like a museum piece -stuffed and mounted- or you can make it a living, breathing narrative that is unfolding right then and there.
When I get through tearing a lobster apart, or one of those tender West Coast octopuses, I feel like I had a drink from the fountain of youth.
We have to recognize that the world is not something sculptured and finished, which we as perceivers walk through like patrons in a museum; the world is something we make through the act of perception.
To have a museum like the Museum of Modern Art in New York is to have power. I don't have any interest in being the director of an institution that has power.
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