A Quote by Audrey Niffenegger

When somebody is that patient, you have to feel grateful, and then you want to hurt them. Does that make any sense? — © Audrey Niffenegger
When somebody is that patient, you have to feel grateful, and then you want to hurt them. Does that make any sense?
Don’t become mesmerize by the pictures that have appeared if they are not what you want. Take responsibility for them, make light of them if you can, and let them go. Then think new thoughts of what you want, feel them, and be grateful that it is done.
When you're really bummed out, the last thing you want to hear is up-tempo and positive. And it lets you know that you're not alone, that somebody has hurt before. It works the same way with chick songs as it does with political songs. When you hear somebody singing about these things, you know that you're not alone, that somebody else is suspicious of what's going on around us in the world. So you don't feel like you're crazy, and you feel like you might be able to make a difference.
I think any great song is difficult to write, in some aspect. It's just difficult to make somebody feel something. That is the main goal. How do you make somebody want to get up and dance? How do you make somebody feel okay after their breakup?
There's an unwritten protocol when you hurt somebody. And when I say you hurt somebody, obviously it's not on purpose, but it still happens. I know I've rocked guys before where I checked on them after to make sure everything's cool.
The psychotic does not merely think he sees four blue bivalves with floppy wings wandering up the wall; he does see them. An hallucination is not, strictly speaking, manufactured in the brain; it is received by the brain, like any 'real' sense datum, and the patient act in response to this to-him-very-real perception of reality in as logical a way as we do to our sense data. In any way to suppose he only 'thinks he sees it' is to misunderstand totally the experience of psychosis.
When you make a book or you make a movie, it is almost like hitting on somebody. It's not because you want to seduce people that you will seduce them; you can hit on somebody and it doesn't work. But when you hit on them and it works, then it's really cool.
I think if the doctor is a good doctor and has a patient's best interest in mind then he's not going to allow anything to compromise that patient's care. The bottom line is the doctor has to care for his patient. You have to have that overwhelming sense of welfare for your patient.
...Any fool can love somebody who's perfect, somebody who does everything right. But that doesn't stretch your soul. Your soul only gets stretched when you can still love somebody after they've hurt you.
When people are scared, they need something done that will make them feel safe, even if it doesn't truly make them safer. Politicians naturally want to do something in response to crisis, even if that something doesn't make any sense. But unfortunately for politicians, the security measures that work are largely invisible.
The moment in which you make somebody laugh, you're only doing it to make them laugh and be happy. Then afterward you can be like, 'Oh, I just want the attention. I feel so good that everybody's listening to me and I got the approval that I need.'
It's just that I don't want to be somebody's crush. If somebody likes me, I want them to like the real me, not what they think I am. And I don't want them to carry it around inside. I want them to show me, so I can feel it too.
I don't know why in this country we coddle corporate criminals, war criminals, and racists. People walk on eggshells around them, and yet they will say a word like "liberal" as if it's pejorative. Or somebody who wants unions or reproductive justice, they will treat them like there's something wrong with that person. Does that make sense? People seem to be more frightened of upsetting a war criminal or a racist and more willing to disparage a very nice guy like Dennis Kucinich. Does that make sense?
When a poor person dies I want then to die in the arms of somebody who loves them. I want them to be able to look for the last time into the eyes of somebody who cares for them
No matter what as an artist that's always what you want to do, you want to connect to the audience, you want to be able to send whatever message it is that you're singing about, you want to be able to convey that - and not make them feel - you want them to feel it, you want them to feel what you feel.
I get letters every week from people who live in rural Texas or rural Mississippi and who feel totally alone. They feel like they must be the strangest person in the world. They don't fit in to the religious milieu of their communities. It doesn't make any sense to them. They read some of my columns and they know that there's somebody in the world at least as crazy as they are, and so they write and say is there anybody else?
My films do have a big following among young girls, and I want to instill confidence in them, a sense of self-appreciation - to make them feel they can be spirited and say what they feel.
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