A Quote by Audrey Niffenegger
The compelling thing about making art - or making anything, I suppose - is the moment when the vaporous, insubstantial idea becomes a solid there, a thing, a substance in a world of substances.
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The compelling thing about making art — or making anything, I suppose — is the moment when the vaporous, insubstantial idea becomes a solid there, a thing, a substance in a world of substances. Circe, Nimbue, Artemis, Athena, all the old sorceresses: they must have known the feeling as they transformed mere men into fabulous creatures, stole the secrets of the magicians, disposed armies: ah, look, there it is, the new thing. Call it a swine, a war, a laurel tree. Call it art.
What's interesting about making art is that you take everything you know about it and you bring it up to that point, and you start making a physical thing that addresses what that is. And when you do it, you don't know anything about it - if it's going to work or not work.
The idea of being close to where pigments were mined - that's the first thing in making a painting, getting the material. And what's the last thing you do in making a painting? You put a frame around it.
The thing about writing or making art is that I'm not thinking about that stuff while I'm doing it. Like the driver's ed kid, in retrospect I see that that was meaningful, and I felt close to him in that way, but at the time I just thought it was fun to draw, and that's all it was. I think that's what's weird about life and about making art. You have to talk about it later. I guess I should be prepared to talk about it now. That is why I'm here. But again, pass.
To me, success is making a positive difference through art - making art that affects the world and that changes the way people feel about themselves and the world.
To the question, ‘Is the cinema an art?’ my answer is, ‘what does it matter?’... You can make films or you can cultivate a garden. Both have as much claim to being called an art as a poem by Verlaine or a painting by Delacroix… Art is ‘making.’ The art of poetry is the art of making poetry. The art of love is the art of making love... My father never talked to me about art. He could not bear the word.
What we want is a social harmony, even as we live in a world where any idea about the real thing is as likely to evoke the ancient memory of an advertisement for a soda pop as anything solid or necessary.
When I first started making photo pieces it wasn't with the idea of a commitment to the medium. I didn't think I would have to become a photographer to make my photographs. I recall that anything could be used as material for art in that era. Photography was just one more thing.
Silences enter the process of historical production at four crucial moments: the moment of fact creation (the making of sources); the moment of fact assembly (the making of archives); the moment of fact retrieval (the making of narratives); and the moment of retrospective significance (the making of history in the final instance).
When I was 28, I made this film called 'Drinking Buddies' that I starred in and produced, and we improvised the entire thing, and it was a complete exercise in freedom of expression in making something for only the purpose of making it, not for recognition or money or anything else, and it's still my favorite thing I've ever done.
You look on the Internet, and people are transforming themselves on a daily basis, and it's not a superficial thing, it's not a vain thing, and it's not an "I don't like the way I look" thing. It's people truly being creative. It's a way of making your mark and making a statement, and I love that. Beauty is making a statement in whichever way you choose to do so, and I think that's a beautiful thing.
I think I have to work to write a happy song. I write them carefully; they're simple and they're about when it's fun to walk down the street. You know? Because that's the best thing about when you're happy. It's just one little thing that makes you happy, and you're making friends. The kind of thing I can do is capture this moment.
That's what I like about the idea of the aesthetic experience, the idea of both enjoying looking at works of art and how they kind of talk to you, and also the process of making art, getting back to that idea of the aesthetic experience of making art is very important, It's another way of thinking. Instead of just using your brain, you're using your hands to think with. They're different connections, the brain that comes through the fingertips as opposed that comes through the eyes and ears.
Making art is not the matter of a moment, and nor is making an exhibition; curating follows art.
I wonder a lot about making things meaningful. You want to do meaningful work and make art, but you're making records, which is good, but you don't want to weight them - it's a very curious thing.
I think we live in a world where the most important thing is daily life: sharing a space with your family, making meals, being with your people. It's not only the idea of privacy, it's the beauty of the moment, at a time in the world when everything goes really fast - too fast.
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